Showing posts with label Pixar. Show all posts

Tuesday, January 12, 2016

BEST MOVIES & TV: 2015

The Great, The Good, and The Interesting!

Rey, the new star of
S T A R
W A R S !

Shortcut links:
• BEST MOVIES: 2015
• BEST DOCUMENTARIES: 2015
• BEST TV: 2015

Note: This will often spotlight directors for special merit.
But Auteur Theory is a shoebox; films are a collaborative effort with everyone involved.

"And... Action!"

B E S T
M O V I E S :
2 0 1 5

T H I N K

✭✭✭✭✭
• SELMA ⇧
Ava DuVernay's timeless reminder of the Civil Rights struggle is universally invaluable.
David Oyelowo is in fine form as the human and humane Dr. King.

• MR. HOLMES ⇧
Ian McKellan as Sherlock Holmes.
That should be enough, but clever inversions and nimble drama round it out.

• LOVE AND MERCY ⇧
A moving biopic of Brian Wilson's musical triumphs and spiritual tragedies.
The period details are excellent, and the recording of Pet Sounds is worth the admission alone.

• SUFFRAGETTE ⇧
A strong docudrama of a young woman's rise from servant to rebel in the original Feminist revolution.
Carey Mulligan and Helena Bonham Carter.

• THE KEEPING ROOM ⇧
Brit Marling leads a trio of women trying to survive the end of the Civil War.

• A MOST VIOLENT YEAR
The best movie 1974 didn't make. An understated and perfect homage to New Hollywood crime dramas.
Oscar Isaac channels his best Pacino beside an iron Jessica Chastain.

• SPOTLIGHT
A true story of a terrible social crime exposed by actual journalism (remember that?).
Plays like a relentless thriller propelled by a crack ensemble cast.

• BROOKLYN
The best love story of the year.
Saoirse Ronan builds a bridge between old world Ireland and new world NYC in this thoughful and genuinely heartwarming dramedy.

• HIGH-RISE
J.G. Ballard's brutal satirical novel of classism descending into chaos, shot in full-on A CLOCKWORK ORANGE mode.

Most Valuable Player, Dept.:
Oscar Isaac
Like Jessica Chastain, Oscar Isaac is becoming ubiquitous as the go-to actor.

After breaking through in the Coen Brothers' INSIDE LLEWYN DAVIS (2013), with fine singing and guitar playing no less, Oscar's star is on the rise. This year he was the amiably conceited creator in EX MACHINA; the ethical man trying not to slip in A MOST VIOLENT YEAR; the accidental crusader in HBO's intense mini-series SHOW ME A HERO (from the creator of 'The Wire'); and he ended on a high note as the best rebel pilot in the galaxy in STAR WARS: THE FORCE AWAKENS.

S M I L E

• TANGERINE ⇧
Two untrained transexual actors shot by three iPhone cameras in the L.A. streets equals ludicrous magic.

• WHAT WE DO IN THE SHADOWS (New Zealand) ⇧
Twisted slapstick in a vampire mockumentary full of laughs.

• PEOPLE PLACES THINGS ⇧
A smart antidote to rom-coms, with fresh angles and Jemaine Clement (Flight Of The Conchords).

D R E A M

Proper Star Wars art by Drew Struzan.

✭✭✭✭✭
• STAR WARS: The Force Awakens ⇧
A wonder and a blessing, perhaps the finest Star Wars film yet made.
Rey and Finn are terrific new leads for the future.

• EX MACHINA ⇧
A clockwork rose.
A smart character film with turns that reward multiple viewings.

• MAD MAX: FURY ROAD ⇧
THE ROAD WARRIOR was the best, and this is ten times better.
An epic completely grounded in empathy, swiped by true star Charlize Theron as Furiosa.

• TOMORROWLAND ⇧
Pessimism is passe, optimism takes real courage.
This smart, inspired film makes a fine case for the power of the positive.

• THE MARTIAN
Robinson Crusoe on Mars.
Ridley Scott brings us a gripping thriller with a sharp cast.

• SPECTRE ⇧
The Daniel Craig films are a perfect prequel arc of the origins of Bond.
And they've rebuilt him better for the future.

Underrated, Dept.:

• TERMINATOR: Genisys
The first hour's re-evocation of the first film is amazing.
A more proper substitute as the third film to a trilogy.

• SYNCHRONICITY
A solid time travel film, with enough turns to keep you alert or surprised.

N I G H T M A R E

• CRIMSON PEAK ⇧
Guillermo Del Toro's gorgeous gothic romance where craft is the star.
Like a Poe or James story filmed by Powell and Pressburger (à la BLACK NARCISSUS, THE RED SHOES).

• IT FOLLOWS
Like the best indie horror film John Carpenter didn't make in 1979.
Straightforward suspense with quietly layered subtext.

• FELT
A touching and disturbing indie film, and conceptual cousin to REPULSION (1965).

G R A P H I C
I M A G E S

I review and do original illustrations of
Comics-based films for the review site,
Four Color Films.

• AVENGERS 2: AGE OF ULTRON ⇧
More ambitous even than the first, and more richly rewarding to the attentive.
The leads do well, but the non-solo-film characters grow and shine here.
All hail Joss Whedon!

• ANT-MAN ⇧
A fun romp better than anyone expected.
A Wasp-centered sequel promises even better.

• THE DIARY OF A TEENAGE GIRL ⇧
> Four Color Films review
Phoebe Gloeckner's acclaimed graphic novels > become an inspired and poignant dramedy.

See Also:
> Four Color Films,
THE Comic Movies Review Site!

A R T F L I X

• INSIDE OUT ⇧
Pixar makes films for adults who remember the wonder of childhood.
This navigation of the emotions is a profound guide for all ages.

• THE GOOD DINOSAUR
Pixar.

• WHEN MARNIE WAS THERE (Japan, 2014; English dub, 2015) ⇧
From Studio Ghibli; Yonebayashi channels Miyazaki's pastoral nostalgia with Takahata's emotional edge.
A moving and surprising story beautifully rendered.

• ANAMOLISA ⇧
An innovative and game-changing stop animation film that plays as a fine indie character dramedy.

B E S T
D O C U M E N T A R I E S :
2 0 1 5

• MONTAGE OF HECK ⇧
The secret life and creations of Kurt Cobain.

• MR. DYNAMITE
A solid overview of James Brown and a nice companion piece to last year's biopic, GET ON UP.

• SONIC HIGHWAYS
Dave Grohl's profiles of key studios and music scenes is required learning.
The Washington DC episode covering Trouble Funk and Go-Go, and Punk and Dischord Records, is essential.

• THE WRECKING CREW
From the late '50s to mid-'70s, one session crew played on all of your favorite Pop songs.
Illuminating and heartfelt.

• DESPITE THE GODS
Jennifer Chambers Lynch fought the impossible to make a sabotaged film, and this behind-the-scenes documentary referees the struggle.

• SUFFRAGETTES FOREVER! The Story of Women and Power (UK)
Ever-timely and needed mini-series on the original Feminist empowerment struggles.

• THE BLACK PANTHERS: Vanguard of the Revolution
All Power To The People!

• HE NAMED ME MALALA
The betrayla and rise of Pakistani activist Malala Yousafzai.

• GOING CLEAR
An expose on the machinations of the Church Of Scientololgy.

B E S T
T V :
2 0 1 5

(The season number follows each title.)

D R A M A

✭✭✭✭✭
• RECTIFY 3 ⇧
Still television's best and most unknown drama.
As true a grasp of being human as can be found on the screen.

✭✭✭✭✭
• BETTER CALL SAUL 1 ⇧
With quiet, assured grace this prequel to Breaking Bad paves a new path and style.
The story of "Saul" is touching and surprising at every turn.

• FARGO 2
The ambitious second season is a stunner, at times breathtaking in its sharp skill.
This 1979 prequel arc homages much of the Coen canon, along with curveball surprises.

• MASTERS OF SEX 3
When Masters And Johnson's 1965 published findings liberated the mainstream.

• SHOW ME A HERO (HBO mini-series)
A true drama about civil rights struggles in late-'80s Yonkers.
Oscar Isaac shines in a project by Wire creator David Simon.

• MR. ROBOT ⇧
That time Palahnuik, Easton Ellis, Moore, and Dick wrote a jam session to destroy our corporate overlords.
Or as close to it as a gleefully seditious show can get.
(Or corporate-owned cable network will allow.)

W O N D E R

• THE MAN IN THE HIGH CASTLE 1 ⇧
Philip K. Dick's celebrated novella about an alternate world where the Nazis won is adapted into a riveting series with finely-etched characters.

• GAME OF THRONES 5 ⇧
Serious tumult and turnover as the series hinges toward the endgame.

• SENSE8 1 ⇧
The Wachowskis drop the expensive FX of JUPITER ASCENDING for pure character and action.
A gestalt group of international players turn communion and boundaries inside out.

• 12 MONKEYS 1
In which more good mileage is twisted out of Gilliam's film scenario than one could expect.

• THE WIZ (live special)
A new staging for the 40th anniversary of the urban Wizard Of Oz musical.

• CHILDHOOD'S END (mini-series)

Good:
• DARK MATTER
• KILJOYS
Okay, they're not Firefly, but they're enjoyable fun.

H O R R O R

• FORTITUDE 1 ⇧
A strangely brave show set in an eerie arctic that's almost an alien world.
The first half is a brilliant mystery procedural... and the second half goes intrepidly bent.
Spellbinding and startling.

• HANNIBAL 3 ⇧
The prequel reaches its crescendo adapting "Red Dragon".
Like a surreal fever dream too entrancing and horrid to look away from.

• THE RETURNED (U.S.) 1
A solid remake of the French "Les Revenants", nearly obsessive in its exactness, before forking to a new path at the end. But it was cancelled.

• LES REVENANTS/ The Returned (France) 2
At last, the delayed second season of the French original rebounds and expands on the mystery and promise of the resurrected.

• ASH vs. EVIL DEAD 1
Hilarious fun that balances horror and slapstick.
Bruce Campbell is almost effortlessly great with crazy lines.

U K

• OUTLANDER 1.2 ⇧
The intimate GAME OF THRONES, more fleet and personal.
With one of the most exponentially hateable villains ever created.

• DOCTOR WHO 9 ⇧
An evenly paced season that builds to a brilliant send-off for Jenna Coleman.
And Peter Capaldi is more assured and fun than ever.

• HUMANS 1 ⇧
A terrific remake of the Swedish "Äkta människor/ Real Humans" that only improves it.
This series streamlines the strengths into a more unified, surprising whole.

• ORPHAN BLACK (Canada/BBC) 3 ⇧
Tatiana Maslaney. The chameleon actor schools us in how its done so well that the plots seem like loose frameworks for the fun.

• PENNY DREADFUL 2
Eva Green. The League Of Extraordinary Coincidence takes on black magic, and pays a heavy toll.

• JONATHAN STRANGE & MR. NORRELL (mini-series)
Excellent adaption of Susanna Clarke's book, bringing vivid life to an alternate 19th century London where magic exists.

Good:
• JEKYLL & HYDE 1
Crazed pulp fun with a crack cast clearly enjoying themselves.

• THE FRANKENSTEIN CHRONICLES 1
Sean Bean. An interesting take on fiction distorting 19th century reality in the wake of Shelley's book.

H E R O E S

We're in a golden era of superheroes onscreen. This is actually the screen catching up late to comics revolutions that already happened on the page.

Every decade had comics renaissances that improved the maturity, craft, range, and credibility of the genre. Networked by comic shop outlets, the '80s sparked indie revolts like American Flagg, Love And Rockets, The Rocketeer, and Starstruck.

DAREDEVIL (1981),
by Frank Miller and Klaus Janson.

The two majors noticed. Marvel rebuilt their cred in the early '80s on Frank Miller's brutally noir take on Daredevil (and DC partially with Miller's Batman: The Dark Knight Returns.); stripped, adult, harsh, hardboiled, haunted.

DAREDEVIL (2001),
by Brian Michael Bendis and Alex Maleev.

In the 2000's, writer Brian Michael Bendis revamped Daredevil in Tarantino terms with cinematic art by Alex Maleev and David Mack, pooling a loose collective of Hell's Kitchen defenders who were decidedly human and R-rated: Jessica Jones, Luke Cage, etc.

ALIAS (2001),
the Jessica Jones series by Brian Michael Bendis and Michael Gayros.

If upbeat mainstream shows like Flash, Arrow, and Supergirl echo classic mainstream comics, then the Netflix adaptions of Daredevil and Jessica Jones directly reflect the hard R comics of Miller and Bendis, down to the story arcs, the dialogue, the visual style, the adult tone, the credits, and the ad art.

The revolution is televised because it was already won in print.

• DAREDEVIL 1
An exact blending of Miller's template with Bendis' expansions, this bonejarring noir is the best Batman show never made.
Just as Miller's comics matured the medium, this streetwise series (and Christopher Nolan) reset the bar for adult comics on the screen.

• JESSICA JONES 1
Just as Bendis leveraged the momentum of Miller, this series raises the gravity and power razed by the companion Daredevil series.
Based on Bendis and Gaydos' adult-oriented Alias comic, the character drama tackled anger, pain, and loss to universal acclaim.

• AGENT CARTER 1 ⇧
Hayley Atwell gets the star vehicle she deserves as '40s superspy Peggy Carter, mother of S.H.I.E.L.D.

• AGENTS OF S.H.I.E.L.D. 3.1
All the setups pay off in this turbocharged, twisty season.
With more to come.

• POWERS 1
A pretty good take on Oeming/Bendis' comics, that catches fire when Eddie Izzard and Michelle Forbes appear.

• THE FLASH 2.1
The Multiverse begins, bringing the DC mythos to mainstream success.

• ARROW 4.1
More magic, more fun, and a good group collective against a mercurial villain.

• SUPERGIRL 1.1 ⇧
The Kryptonian we need, all positive hope and ethics!

• CONSTANTINE 1
John Constantine, as he was intended, briefly invades normal airwaves for a season.
Generally sharp with some great highs.

• VIXEN
The online cartoon companion to The Flash and Arrow, starring African superhero Vixen.

D E T E C T I V E S

• AMERICAN CRIME 1 ⇧
Oscar-winner John Ripley (12 YEARS A SLAVE) crafts what could be The Wire for mainstream TV.
Amidst our reductive kneejerk era, this carefully nuanced anthology instead covers all angles, quietly exposing all the false divisions that suffocate empathy and humanity.

• FARGO 2
Ambitious, intricate, arresting.

• BROADCHURCH 2
The first season was great, but the second is better, wringing unexpected dramatic gold with the aftermath of the murderer's trial.

• ELEMENTARY 4.1
Enter Holmes' father, and an even stronger focus.
Sherlock gets all the attention, but this underprized series continues to shine on its own.

• TRUE DETECTIVE 2
The genre anthology moves from Southern Gothic to Neo-Noir, subtly tracing by oblique angles the secret cabal that runs things.
Less quotable and clear, sure, but much more complex and daring.
Rachel McAdams, playing against type, was especially terrific.

C O M E D Y

• ASH vs. EVIL DEAD 1 ⇧
Some of the funniest lines and most demented actions on the screen.

• BROAD CITY 2
Ilana Glazer and Abbi Jacobson go more brazen crazin', and it's too late to stop them.

• MASTER OF NONE 1
Aziz Ansari.

• UNBREAKABLE KIMMY SCHMIDT 1
Ellie Kemper and Jane Krakowski, via Tina Fey.

• MAN SEEKING WOMAN 1
Absurdist.

© Tym Stevens

Monday, January 14, 2013

BEST MOVIES & TV: 2012

The Great, The Good, and The Interesting!

P R O M E T H E U S

Shortcut links:
• BEST MOVIES: 2012
• BEST DOCUMENTARIES: 2012
• BEST TV: 2012

Note: This will often spotlight directors for special merit.
But Auteur Theory is a shoebox; films are a collaborative effort with everyone involved.

"And... Action!"

B E S T
M O V I E S :
2 0 1 2

E R O S

✭✭✭✭✭
• PARIAH ⇧
One of the best movies of the year.
Rings true and deep in every moment.

• HYSTERIA
The origin of the Vibrator: a love story.
Spread the good vibes!

• SAFETY NOT GUARANTEED
A special gem.

• Q (a.k.a., 'Desire'; France)
Lust is all you knead.

• CLOUD ATLAS
Love is all you need.

T H I N K

✭✭✭✭✭
• BEASTS OF THE SOUTHERN WILD ⇧
One of the best movies of the year.
A surreal allegory of poor survival in the Louisiana swamps, with a touch of magic realism. Startling, fearless, intimate, epic.

• WAR WITCH (Canada)
One of the best movies of the year.
An African girl who was forced into being a child soldier struggles to be free. Viscerally intense both visually and emotionally.

• RED TAILS
Good, with some clumsy moments but many more great ones.
There can never be enough movies about the Tuskegee Airmen.

• THE KID WITH A BIKE (Belgium)
A quiet mystery that takes hold of your heart.

• ON THE ROAD
Pretty darn good translation of the book.
A bop prosody for film.

• ARGO
A true C.I.A. rescue mission using a fake Sci-Fi movie storyboarded by Jack Kirby.
Well, what are you waiting for?

• ARBITRAGE
Do The Rich always get away with murder?

• LINCOLN
A fine companion to A Color Purple and Amistad.
Now if only someone would make "Douglass" and "Tubman".

• ZERO DARK THIRTY
Mixed feelings, honestly, but the climax is undeniably riveting.
The true star is Kathryn Bigelow's direction.

• WHERE DO WE GO NOW?
The women in a Lebanese village use every scheme to stop the dumb-ass men from killing each other over religion.
A bittersweet parable from writer/director/star Nadine Labaki.

The Dark Side of Genius, Dept.
Alfred Hitchcock

(l) Anthony Hopkins; (r) Toby Jones and friend.

See Hitchcock and The Girl, in that order, for a letter-perfect double feature.

• HITCHCOCK ⇧
First see this deviously wry take on the making of Psycho (1960) and its trying toll on Hitch's wife, Alma (Helen Mirren)...

• THE GIRL ⇧
...and then this more tensely dark take on the making of The Birds (1963) and Marnie (1965), and Hitch's unfair toll on Tippi Hedren (Sienna Miller).

S M I L E

• SAFETY NOT GUARANTEED ⇧
Low-key greatness for the ages.
Sharp, tender, tricky.

✭✭✭✭✭
• INTOUCHABLES (France)
Excellent, cocky, touching.
I laughed more at this film than most of the comedies below combined.

• EXTRATERRESTRIAL (a.k.a., 'Extraterrestre'; Spain)
Maybe aliens have invaded, but there's always time for an affair.

• TO ROME WITH LOVE
A good cast, but Woody steals the screen every time.

• 2 DAYS IN NEW YORK
A fine sequel to the great 2 DAYS IN PARIS (2007): hilarious!
Julie Delpy writes, directs, stars in, scores for, and edits it all.

• YOUR SISTER'S SISTER
That ubiquitous Mark Duplass flails in an unlikely triangle with Emily Blunt and her sister.

• THE BEST EXOTIC MARIGOLD HOTEL
Uneven, but fun and charming. Judi Dench.

• THE GIANT MECHANICAL MAN
The dialogue's a little flat, but it's generally good.

• SEARCHING FOR A FRIEND FOR THE END OF THE WORLD
Low-key, left-field, softly poignant.

• ROBOT AND FRANK
A smart and genuine comedy, with Frank Langella's best performance.

D R E A M

• SKYFALL ⇧ >>
The darkest, deepest, and most daring Bond ever.

• HAYWIRE
A lo-fi homage to early '70s action films, by Soderbergh.

• UPSIDE DOWN
Once past the syrupy narration intro, there's sweet love and eye candy.

• JOHN CARTER
Truth: This is a fine homage to the novels that spawned all modern Sci-Fi and superheroes; smart folks like Neal Adams, Walt Simonson, and Howard Chaykin loved it; and it made its money back globally.
False: Any comment from snarks ignorant of the seminal novels which created every modern thing they love.> Go get a tardy pass, kid.

• LOOPER
This is a fun B-movie, clever and a little moving.
Reviews trumpeting it over "John Carter" and "Prometheus" are ill-considered.

• CLOUD ATLAS
Irregular parts but I enjoy the sum.

• LIFE OF PI
What's the narrative of your spirit?

• THE HOBBIT: An Unexpected Journey
It's all there and done lovingly fine.

N I G H T M A R E

✭✭✭✭✭
• PROMETHEUS ⇧
There have been enough remakes of Alien.
Instead, Ridley Scott bravely gave us something more visionary with a new direction.

• CABIN IN THE WOODS
A metatext, not just on horror movies,
but -more deeply- audiences.

• THE WOMAN IN THE FIFTH (French/Polish)
Understated, deft, mysterious. Between Hitchcock and Roeg.

• THE POSSESSION
Nothing will ever approach The Exorcist.
But this is pretty solid, with a good cast and a fresh Hebraic angle.

• SOUND OF MY VOICE
Co-writer/producer/star Brit Marling (Another Earth) wins again.

THE COMEBACK KID?, Dept:
Jennifer Lynch

In the early '90s, David Lynch was riding high on the initial success of TWIN PEAKS, while his daughter Jennifer also wrote the excellent tie-in bestseller, "The Secret Diary of Laura Palmer".

When PEAKS was cancelled, David was unofficially blackballed for these last two decades. This kneejerk backlash also derailed Jennifer after her directorial debut, BOXING HELENA (1993).

Jennifer finally came back via Canada with SURVEILLANCE (2008), an intense and underrated thriller with Julia Ormond and Bill Pullman that no one saw.

With no support, she was finally forced to make an exploitation horror film in Bollywood. It was a nightmare that may ultimately turn out for the best.

• HISSS (a.k.a., Nagin The Snake Woman, 2010)
The final edit was taken from her.> (Even the name says 'His'.) And yet it's still pretty good.
A goddess star, inspired eroticism, elegant cinematography, and a sense of humor shine through. Herrrs, baby.

Jennifer then returned to Canada to make a low-key thriller.

• CHAINED (2012)
Dark, claustrophobic, anguished.
As good or better than any other thriller director out there not being routinely blacklisted.

But now a beam may have come through the clouds...

• DESPITE THE GODS (2012)
A documentary about Lynch's horrible trials trying to make "Hisss" in India.
Critically lauded, the film earned uniform sympathy for Lynch and her travails.
> despitethegods.com

Jennifer has a new thriller film with Tim Roth called "A Fall From Grace" in development.

In the meantime, her universally-loved "The Secret Diary of Laura Palmer" has returned to print in a new edition, with intros by PEAKS creators Mark Frost and David Lynch.

".elyts ni kcab emoc ot gniog si
ekil uoy mug tahT"

G R A P H I C
I M A G E S

• THE DARK KNIGHT RISES ⇧
> Four Color Films review
The Harvard of hero films, the highest standard, comes to a majestic close.

• THE AVENGERS
> Four Color Films review
Writer/director Joss Whedon perfectly balances about 74 hot potatoes in this film without breaking a sweat. Miraculous.

• THE AMAZING SPIDER-MAN
> Four Color Films review
The reboot we all dreaded came out great.
Think of it as the 'Ultimate Spider-Man' equivalent for films.

• CHRONICLE
From smarts and pure verve, this stunning indie gets everything right.

• ALTER EGOS
No-budget indie comedy with some savvy moves.

A R T F L I X

• BRAVE ⇧
This should have been a great film about a warrior princess' journey.
It's still a pretty good one about family.

• THE LORAX
Some inspired invention, a crucial moral.
Strongest when satire, softest when saccharine.

• WRECK-IT RALPH
I like that it made all video games into a mythos, and turned them inside out with respect.
Sarah Silverman, Jane Lynch.

• PARANORMAN
Irreverent, edgier, adolescent. Not perfect, but different.

• HOTEL TRANSYLVANIA
Pinballs between Pixar inspiration and Dreamworks clatter, but still worth the ride.
By Genddy Tartakovsky ("Samurai Jack").

• ZARAFA (France)
A hand-animated film where an African boy travels far in his promise to protect a baby giraffe.
Progressive, satiric, heartfelt, a slyly transgressive marvel.

• A LETTER TO MOMO (Japan)
This hand-animated wonder, about a young girl overcoming loss with the help of mythic goblins, is as hilarious as it is frequently moving. A fine film in every way.

B E S T
D O C U M E N T A R I E S :
2 0 1 2

• WE ARE LEGION ⇧
The rise of Anonymous and hacker activism.
"People should not be afraid of their governments. Governments should be afraid of their people."

• THIS IS NOT A FILM
A Iranian man in a room with a camera, incarnating the entire war of the creative soul versus the tyrannic state.
This is for real.

• 5 BROKEN CAMERAS
Every time a Palestinian farmer films the abuses against his people by Israeli forces, he is assualted and his cameras destroyed.

• PAYBACK
Does the concept of debt and payback really work toward justice around the world?, asks author Margaret Atwood.

• THE INVISIBLE WAR
The ongoing cover-up of rape in the U.S. military.

• A LIAR'S AUTOBIOGRAPHY
The life of Graham. Chapman, that is, from 'Monty Python's Flying Circus'!

• THE DUST BOWL
Ken Burns' 4-episode overview of the '30s Depression natural disaster.

• SEARCHING FOR SUGAR MAN
Sometimes quality finally gets its due.

• A BAND CALLED DEATH
Death invented AfroPunk in the mid-'70s, and no one knew it. Now they return.

• COMIC-CON Episode IV: A Fan's Hope
"Turn and face the strange." A doc on the Mothership of genre conventions, by Morgan Spurlock ("Supersize Me").
Creatives are the real culture rebels.
➤ How STAR WARS Is Changing Everything!

B E S T
T V :
2 0 1 2

(The season number follows each title.)

D R A M A

• GAME OF THRONES 2 ⇧
✭✭✭✭✭
The finest, deepest drama on television.

• THE KILLING 2
a) The original Danish first season was 20 episodes, a bit wobbly toward the end before a grand save.
b) The American version wisely split the story across two seasons,
expanded the character depth, ironed out the wobble, and closed with a different fine ending.

• MAD MEN 5
Jessica Paré and 1967 refreshed it.

W O N D E R

• FRINGE 5 ⇧
The show that fought the good fight bows out.

• AWAKE 1
Gone too soon, but good while it lasted.

U K

✭✭✭✭✭
• SHERLOCK 2 ⇧
The best got better.
The opener, "A Scandal in Belgravia", is greatness that increases with each viewing.

• THE BLETCHLEY CIRCLE 1
A quartet of female WWII codebreakers reunites to stop a serial killer. Excellent!

• DOCTOR WHO 7
More focused, less frantic than 6. And a promising new Companion.

• MISFITS 4
There's a new cast. Can it stay fresh and go forward?
I'm feeling Yes and No the whole way.

• THE HOUR 2

• COPPER 1

• RIPPER STREET 1
COPPER is always good, RIPPER is always great.

C O M E D Y

• ELEMENTARY ⇧
I was the loudest grouch about 'America ripping off SHERLOCK'.
And it turned out just fine on its own merits.

© Tym Stevens

Tuesday, January 12, 2016

BEST MOVIES & TV: 2015

B E S T M O V I E S : 2 0 1 5

T H I N K

S M I L E

D R E A M

N I G H T M A R E

G R A P H I C I M A G E S

A R T F L I X

B E S T D O C U M E N T A R I E S : 2 0 1 5

B E S T T V : 2 0 1 5

D R A M A

W O N D E R

H O R R O R

U K

H E R O E S

D E T E C T I V E S

C O M E D Y

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