How the original 1950s Rock styles
remained strong through each decade!
(#5 of 6 parts)
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world-spanning
Music Player!
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Today the story of how '50s
Rock'n'Roll thrived more than ever in 2000s music and film!!
Hear a massive Music Player, with worldwide artists maintaining '50s sounds from
2000 through 2009!
'50s Rock disciples: '00-09
by Tym Stevens
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Hear the unlimited Playlist here.)
All songs in order from 2000 through 2009.
▶ Revolution 1950s: The Big Damn Bang of Rock'n'Roll!
▶ 1950s Rock, A: The '60s Disciples
▶ 1950s Rock, B: The '70s Disciples
▶ 1950s Rock, C: The '80s disciples
▶ 1950s Rock, D: The '90s disciples
▶ 1950s Rock, E: The 2010s disciples
C h a p t e r
l i n k s :
Rockabilly solidified into a thriving indie movement in the dawn of the 21st Century.
𝟭 •
2000s: The Train Kept A'Rollin'
𝟭a • •
Distribution
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Country Boogie
𝟭c • •
Bop Cats
𝟭d • •
Swing
𝟭e • •
Burnette
𝟭f • •
Psychobilly
𝟭g • •
Trash Blues
𝟭h • •
Mood
𝟭i • •
SHE
𝟭j • •
WE
𝟭k • •
Perennials
𝟭l • •
Roots
𝟭m • •
Trads
𝟭n • •
World
𝟭o • •
Screen
𝟭
2000s: The Train Kept A'Rollin'
The original Rock styles of the
'50s -Rockabilly, electric Blues, Honky Tonk, Mambo, Cajun, and Doo Wop- became classic forms throughlining the decades that followed; the
'60s reflections, the
'70s revivals, the
'80s redux, and the
'90s radicalization. In the 2000's, the forms united a worldwide underground community based on roots reclamation.
While the mainstream became ever more glossy, crass, aimless, and culturally clueless, the underground was revitalizing the future by building on the past.
𝟭a
Distribution
In the 1950s, music distribution was freeform: there were only a few majors labels and countless small ones, hustling 45's on local radio, in jukeboxes, and out of car trunks. This came full circle by the 2000s: after the corporate record industry monopoly was eroded by the internet through direct downloads and pirating, music acts resorted to Do It Yourself tactics like indie labels, website downloads, social media, festival tours, and selling CDs and merch at concerts.
The original Rock'n'Roll sounds had become underground again, not played in the mainstream, but thriving better below that shallow radar in a vital international scene. By this period, music revivals like Rockabilly, Surf, Garage, and Psychedelic could no longer be dismissed as retro anamolies by media flitwits, instead gaining acceptance as timeless and viable traditional forms. '50s styles were part of the musical palette one could choose, abuse, suffuse, and pay dues.
Kindling this eternal flame were a host of indie labels like
Norton,
Nervous, and
Bear Family (Germany). Trashabilly acts spun donuts through
Yep Roc,
Voodoo Rhythm,
El Toro,
Bloodshot,
Swami,
Tail (Sweden), and
Crazy Love (Denmark). Roots acts, particularly in the wake of the huge success of the "O BROTHER, WHERE ART THOU?" Americana soundtrack, hickory-smoked in hollars like
Blind Pig,
Rounder,
Hightone, and
Crosscut (UK).
Roots festivals, like the annual genre-bending
Hardly Strictly Bluegrass Festival in San Francisco, became a detox to audiences tired of mainstream schlock-pop, and Rockabilly festival circuits continued to host bands globally.
𝟭b
Country Boogie
Big Sandy; Lil' Linn And The Lookout Boys
Country Swing, Boogie, and Honky Tonk were mentors of early Rock'n'Roll.
Continuing the line dance from pioneers like Bob Wills were new steppers like
Big Sandy,
Bop Shack Stompers,
Slim Slip And The Sliders,
Carl And The Rhythm All Stars (France), and
Lil' Linn And The Lookout Boys (Sweden).
𝟭c
Bop Cats
Kitty, Daisy, And Lewis
Go, cat, go!
Rockin' the bop till they scorched their socks were
Kim Lenz And Her Jaguars,
Ronnie Nightingale And The Haydocks,
Bill Fadden And The Silvertone Flyers,
The Thunderbirds,
Wild Wax Combo,
The Head Cat (Lemmy, Slim Jim Phantom, and Danny B. Harvey),
Dan Sultan, and
Kitty, Daisy, And Lewis.
All around the the world, Rock'n'Roll was here to stay with
Nine Below Zero (UK),
The Slapbacks (Austria), and
Stressor (Russia).
𝟭d
Swing
Blue Harlem
Making that jive jump and wail were
Mitch Woods And His Rocket 88's,
John "juke" Logan,
Blue Harlem, and
Billy Bros. Jumpin' Orchestra (Italy).
𝟭e
Burnette
Johnny Burnette And The Rock N Roll Trio were a firebomb in early Rock that still charred music in the present.
Dorsey and
Johnny Burnette's frenzied gallop, lashed by
Paul Burlison's hard-clanging guitar, propelled such classics as
"Train Kept A Rollin'",
"Honey Hush",
"Lonesome Train", and
"Rock Billy Boogie".
Haunted George, Nicotyna
Their bracing rhythmic clang sound still rampages rampant in the new century in songs by
Barbara Burnette (who adopted the name with the sound),
Eddy And The Backfires,
Haunted George,
Rhythm Bound!,
Carl And The Rhythm All Stars,
Jack Rabbit Slim, and
The Starkweather Boys. It rebounds in sounds equater-round with
Mars Attacks (Austria/Swiss),
Screaming Kids (France),
Eva Eastwood (Sweden),
Los Raw Meat (Spain), and
Nicotyna (Mexico).
That train will keep a'rollin' even more in the next decade.
𝟭f
Psychobilly
Hyper and hoarse, jerk-eyed and jittery, here come the psychos with
Speed Crazy,
The Peacocks,
Restless,
Psycho Charger,
Os Catalepticos (Brazil),
Aikka Hakala (Finland),
The Young Werewolves,
Asmodeus (Netherlands), and
Tokyo Cramps (naturally, a Japanese Cramps homage).
Thee Merry Widows; Gito Gito Hustler
The tributaries of women in Psychobilly through the '90s finally flooded free with
Kathy X,
Horrorpops,
Arsen Roulette,
Thee Merry Widows,
Mad Marge And The Stonecutters,
Bridget Handley,
Creepshow,
Eve Hell And The Razors (Canada),
Rocket To Memphis (Australia),
Kamikaze Queens (Germany),
As Diabatz (Brazil),
Gito Gito Hustler (Japan), and
Hellsonics (Belgium).
𝟭g
Trash Blues
Mr. Airplane Man
Trashabilly and corroded blues rattled rusty shacks with lightning, as heard in varied acts like
Black Eyed Snakes,
Mr. Airplane Man,
James "Blood" Ulmer,
The Black Keys,
Pearline,
Heavy Trash (with Jon Spencer),
Tom Waits,
The Detroit Cobras,
Black Diamond Heavies,
T-Model Ford,
The Juke Joint Pimps,
Ty Segall,
Chris Duarte,
Blue Mountain,
Grinderman (with Nick Cave), and
The Stone Foxes.
The Black Keys; T-Model Ford
Noize nomads scraped nerves worldwide, like
Lyle Sheraton,
Reverend Beat-Man,
Knucklebone Oscar,
Battle Of Ninjamanz (Japan),
Haunted George, and
The Wildebeests.
Howling and hiccuping after midnight were
The Hillbilly Moon Explosion,
The Raveonettes, and
The Phantom Chords (alias The Damned).
𝟭h
Mood
Rocket To Memphis
Somewhere wandering bleary and aimless under a
"Harlem Nocturne" looking for Link Wray's
"Rumble" were moodscape misfits like
Speedball Baby,
Devil Doll,
Miss Derringer,
Rocket To Memphis, and
Jace Everett.
𝟭i
SHE
Tura Satana made her claim to infamy strutting as the lead menace
Varla -all leather, bangs, judo, and sneer- in the Russ Meyer sexploitation classic, FASTER, PUSSYCAT! KILL! KILL!
(1965). By the 2000s, the confluence of the pin-up and burlesque revivals along with Rockabilly and hot rod culture crystallized in the '
Varla' fashion, a tattooed devil doll of retro style and punk spirit. There was even a VARLA magazine which continues now as a
webzine. In sum, Rockabilly women had assimilated all changes and become iconic.
Tura Satana in FASTER, PUSSYCAT! KILL! KILL!
Women have been a part of every permutation of Rock since the beginning, fighting a ridiculously long battle from marginalization to peer status. But the ranks of women in the retro scene had reached such critical mass exponentially by the new millennium that they were undeniable.
Boppin' the billies and fillies were
Josie Kreuzer,
Jean Vincent (hmmm),
Little Rachel,
Dawn Shipley And The Sharp Shooters,
Miss Mary Ann And The Ragtime,
The Honeybees,
Lisa George,
The Informants, and
Candye Kane.
Josie Kreuzer; Little Rachel; Miss Mary Ann
Whirling the boys and girls 'round the world were
Toini And The Tomcats (Dutch),
Eva Eastwood (Finland),
Sue Moreno (Dutch),
Lil' Esther And Her Tinstars (Dutch),
Maibell And The Misfires (Finland),
Sweet Jeena And Her Sweethearts (Finland), and
Cherry Tess And Her Rhythm Sparks (Sweden).
Riding the lone prairie were country rustlers like
Cari Lee And The Saddle-Ites and
Ruby Dee And The Snake Handlers.
Swaying some jazzy Swing into that thing were
Roxanne Potvin (Canada) and
Blue Harlem (UK).
Greasefiring the Garage were
The Detroit Cobras,
The Del-Gators,
Tina And The Total Babes,
The Malamondos, and
Thee Tumbitas (Spain).
Bringing the Noize were abrasive firebrands like
The Short Fuses,
Devil Doll,
Baby Horror (Spain),
Danger*Cakes, and
The Husbands.
Maibell And The Misfires, Thee Tumbinas, The Husbands
𝟭j
WE
Anyone who tries to discount brown faces from Rock'n'Roll is an assclown. Here from jump, here for the long!
Jet Harris, Little Richard, Gene Vincent, Sam Cooke
Creativity is all about inclusion over exclusion.
Traditions can become a stasis, but living culture is fluid. Where tradition draws a line, creative culture is instead borderless. Boundaries -like nations, classes, money, and separate races
>- are delusions, generic and false impositions that define no one and separate everyone.
In truth, there is only commonality between individual personalities through emotion and experience. Live, feel, share. Every new idea is a relay baton that anyone can run with, arrive somewhere unexpected, and hand off. In fact, creativity is literally why we exist, since the abstract thinking used by the San tribe to explore out of Africa seeded the planet with our total family, the Human Race (singular).
>>
The human soul and mind can't be curtailed anymore than currents or winds.
Eddie "The Chief" Clearwater, The Black Stripe,
King Salami
This is our party and everyone is invited. Rockin' it right were favored guests, heard on the music player, like
Eddy "The Chief" Clearwater,
James "Blood" Ulmer,
T-Model Ford,
Deborah Coleman,
Chris Thomas King,
Nathaniel Mayer,
Lady Bianca,
The Black Stripe (PJ Higgins, styling herself as the 'sister of The White Stripes, daughter of Elvis'),
George Clinton,
Lady Bianca,
Dig Wayne And The Chisellers (Dig Wayne fronted Buzz And The Flyers and JoBoxers in the
'80s),
Noisettes,
King Salami, and the unstoppable
Barrence Whitfield.
And keeping it likewise tight were
Pep Torres,
Gatos Locos,
Los Mentas,
Star Mountain Dreamers,
Truly Lover Trio,
Raul Malo,
Nu Niles (Spain), and
Brioles (Spain).
𝟭k
Perennials
Original Rockers from the first wave like
Link Wray,
Ronnie Dawson,
Wanda Jackson,
Janis Martin,
Speedo And The Cadillacs,
Sleepy LaBeef,
Billy Lee Riley,
Dion, and
Johnny Cash and
Carl Perkins brought roots Rock'n'Roll into the 21st Century. Wanda Jackson was also honored with a tribute album featuring acolytes like
Rosie Flores and
Asylum Street Spankers.
Disciples like
Bob Dylan,
The Rolling Stones,
Electric Light Orchestra (with guests George Harrison and Ringo Starr),
The Who,
Moe Tucker,
Tom Waits,
Ry Cooder, and
John Fogerty kept the roots party rolling.
Revivalists like
Hank C. Burnette (Sweden),
Joe Strummer,
The Blasters,
Brian Setzer,
Lee Rocker,
Los Lobos,
The Pretenders, and
James Intveld conducted new currents.
Wanda Jackson, Brian Setzer, Shemekia Copeland
But what's a retrobilly to do when every '50s classic has been covered so much? Well, do '50s-style covers of post-'50s classics by The Beatles, The Doors, The Monkees, Steppenwolf, CCR, Led Zeppelin, John Lennon, Sex Pistols, Ramones, Nick Lowe, Generation X, The Blasters, The Undertones, Devo, X, Golden Earring, and Stray Cats, of course. And so many covered The Clash that it filled a tribute album.
Or you could write new songs about
Elvis Presley (like
Emmylou Harris,
Gillian Welch,
Joan Baez,
The Who,
Black Stripe,
Patti Scialfa),
Gene Vincent (
Jean Vincent),
Johnny Cash (
Gary Allan),
Carl Perkins (
Drive-By Truckers),
Chuck Berry (
Mikabomb),
Sister Rosetta Tharpe (
Noisettes,
Sam Phillips), and
Bo Diddley (
Seasick Steve).
Then again, you could be actual Rock royalty carrying on the lineage like
Billy Burnette,
Lisa Marie Presley,
John Lee Hooker Jr., and
Shemekia Copeland.
𝟭l
Roots
Sue Foley, Debbie Davies, Carolyn Wonderland
Rock'n'Roll distilled from a gumbo of roots musics, and those traditions still sustained.
Blues boiled with
Deborah Coleman,
Fernest Arceneaux,
Marcia Ball,
Sue Foley,
Lucinda Williams,
Debbie Davies,
Carolyn Wonderland, and
Janiva Magness.
Country kicked with
Bastard Sons Of Johnny Cash (no relation),
Gillian Welch,
Junior Brown,
The Bellefuries,
Lynette Morgan And The Backwater Valley Boys,
The Lucky Stars,
Lonesome Spurs,
k.d. lang,
The Stumbleweeds,
Caroline Casey And Her Stringslingers, and
The Figs, and boogied with
Rockin' Bonnie And The Rot Gut Shots (Italy).
And upgraded the hoedown with the
Cajun of
Pine Leaf Boys and the Tejano of
Flaco Jimenez.
𝟭m
Trads
Keeping the spirit of the era alive as a pliable living tradition were
James Hunter,
Lester Peabody,
T-Bone Burnette,
Tokyo Tramps (Japan), and the evergreen
Chris Isaak.
𝟭n
World
Rock'n'Roll is typecast as an invention of the United States. This is shortsighted, because it comes from roots musics imported in by all of its
immigrants; musicoligists have tracked its origins back through Europe, the Middle East, South America, and Africa...plus. All nations helped birth Rock, and all of them echoed it back as soon as it took off in the '50s.
Gatos Locos
Rock'n'Roll is intrinsically rooted internationally, and it's natural, not a strange fluke, that it is reflected so strongly by acts like
Gatos Locos (Spain),
Baby Horror (Spain),
Les Sexereenos (Canada),
Os Catalepticos (Brazil),
Aikka Hakala (Finland), and
Sugar Lady (Taiwan). (As well as many other acts already listed.)
𝟭o
Screen
As decades passed, filmmakers often rolled through ruminations on their childhood. Where reflections of the '50s dominated films of the '70s, by now the screen were transmuting the '60s (THE INCREDIBLES, OCEANS 11, DREAMGIRLS, HAIRSPRAY, ACROSS THE UNIVERSE, TAKING WOODSTOCK, PIRATE RADIO); and the '70s (KILL BILL, ZODIAC, MILK, FROST/NIXON, BLACK DYNAMITE); and some of the '80s (GRINDHOUSE, WATCHMEN, George W. Bush).
The '50s figured as a backdrop, contrasting conformity with the unconventional, in films like
A BEAUTIFUL MIND (2001) and
BIG FISH (2003). THE INVASION
(2007) attempted to satirize contemporary conformity in the Bush-era in the fourth and weakest screen-telling based on Jack Finney's book,
"Invasion Of The Body Snatchers" (1955).
Gary Clark, Jr. in HONEYDRIPPER
But the 1950s maintained its strongest presence for our purposes in musical dramas. From the TV-movie
LITTLE RICHARD (2000) and Ray Charles bio-pic
RAY (2004), to the Bobby Darin bio-pic
BEYOND THE SEA (2004) and the Johnny Cash bio-pic
WALK THE LINE (2005), to
NOWHERE BOY (2009), where the young John Lennon and Paul McCartney first meet. Two films in 2008 chronicled the Chess Records story;
CADILLAC RECORDS, with Beyonce and Adrian Brody, and
WHO DO YOU LOVE?, starring guitarist Robert Randolph (as Bo Diddley) and David Oyelowo (as Muddy Waters). Similarly, New Orleans guitar sensation
Gary Clark Jr belted out the backwoods blues as star of John Sayles' fictional
HONEYDRIPPER (2007).
If the massive success of CDs in the '90s had filled label coffers, archived the past fresh for new ears, and sparked genre music revivals, then the decline of CDs because of the internet in the 2000s could have been a black hole in the cultural tub.
Instead, the decentalization of the record monopolies freed artists, forcing them into using the new digital platforms to reach more listeners in new guerilla indie ways. There were now more vital acts in all the classic styles than ever, and a determination to keep the roots of Rock'n'Roll eternal into its second century.
Next:
▶
1950s Rock F: The 2010s Disciples
©
Tym Stevens
See Also:
•
The Real History of Rock and Soul!: A Manifesto, A Handy Checklist
•
Revolution 1950s: The Big Damn Bang of Rock'n'Roll!
•
1950s PUNK: Sex, Thugs, and Rock'n'Roll!
•
CHUCK BERRY: The Guitar God and His Disciples
•
BO DIDDLEY: The Rhythm King and His Disciples
•
BUDDY HOLLY: Rock's Everyman and His Disciples
•
LITTLE RICHARD: The Voice of Rock and His Disciples
•
JIMMY REED: The Groover of Rock, From Motown To Sesame Street
•
1950s Rock, A: The '60s Disciples
•
1950s Rock, B: The '70s Disciples
•
1950s Rock, C: The '80s disciples
•
1950s Rock, D: The '90s disciples
•
1950s Rock, F: The 2010s disciples
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