Showing posts with label Big Mama Thornton. Show all posts
Showing posts with label Big Mama Thornton. Show all posts

Monday, January 25, 2010

LADIES FIRST: "Hound Dog" - Big Mama Thornton > Elvis > Jimi Hendrix



LADIES FIRST brings you another classic that 'she did first'.

Today it's the monster classic "Hound Dog".

_______________


"Hound Dog" was written and produced by the budding talents Jerry Leiber & Mike Stoller, and first recorded by the irrepressible Big Mama Thornton. Along with her blues-belting style, Mama also retooled some of the lyrics, did flavorful ad libs, and hard accents in the phrasing that gave the song its fierce identity.

BIG MAMA THORNTON -"Hound Dog" (1952)



Thornton's version was recorded in 1952, but released in the spring of 1953. Within a month there were a handful of Country artists who did their take on it, like Jack Turner and His Granger County Gang, Billy Starr, and Cleve Jackson and His Hound Dogs.

One of the most unsung is this one by Betsy Gay:

BETSY GAY -"Hound Dog" (1953)



Here's a Country answer record forecasting Rockabilly.

CHARLES GORE And LOUIS INNES -"(You Ain't Nothin' but a Female) Hound Dog" (1953)



Memphis radio DJ Rufus Thomas did an answer record to it, taking mock affront to his nickname as 'hound dog'. It was too similar and Sun Records' first hit got in a lot of legal trouble. Later, Rufus and his daughter Carla Thomas recorded classics for Stax Records.

RUFUS THOMAS -"Bear Cat" (1953)



A burlesque group called Freddie Bell And The Bellboys did a campy, striptease-style take on it. Freddie smoothed over some of the lyrics, adding such pivotal lines as "cryin' all the time" and "You ain't never caught a rabbit, and you ain't no friend of mine." They performed it regularly in Las Vegas.

FREDDIE BELL AND THE BELLBOYS -"Hound Dog" (1956)




The young and barely-known Elvis Presley saw their show and put it in his rep for fun. When he appeared on the huge TV hit, "The Milton Berle Show", Milton urged him to leave his rhythm guitar and stand out front. The song's strippery rhythm and Elvis' startlingly sexual gyrations (and air of threatening menace) caused a storm of shocked controversy and made him a national star overnight.

This may have done as much to inject Rock'n'Roll into world awareness as any other event.

ELVIS PRESLEY -"Hound Dog" (1956)



Rock'n'Roll was written off as dumb Pop for juvie kids by the robot mainstream of the times. They probably thought it was cute to trot out little Brenda Lee like Shirley Temple in the family parlor. But it backfired, because you can still hear all the raw Blues anger and cocky swagger in Brenda's great voice.

BRENDA LEE -"Hound Dog" (1956?)



Cliff Johnson's answer song aims to make Elvis high-tail it.

CLIFF JOHNSON -"Go Away Hound Dog" (1957)



Betty Everett ("You're No Good") brings some Soul swing go it.

BETTY EVERETT -"Hound Dog" (1964)



Jimi Hendrix loved Elvis and also all the Blues greats like Big Mama Thornton, who was on the bill at many of the same Blues and Rock festivals reclaiming her song (with her cool penchant for wearing mens' clothing). Here he is jotting off genius like it was a gesture.

JIMI HENDRIX -"Hound Dog (acoustic)" (1968)



And chasing this tail 'round to its front again, here's Blues powerhouse Koko Taylor...

KOKO TAYLOR -"Hound Dog" (1993)




© Tym Stevens



See Also:

Revolution 1950s: The Big Damn Bang of Rock'n'Roll!

WOMEN OF ROCK: The 1950s, with 2 Music Players!


LADIES FIRST: "When the Levee Breaks!" - Memphis Minnie > Led Zeppelin

LADIES FIRST: "Fujiyama Mama" - Annisteen Allen > Wanda Jackson > Pearl Harbor

LADIES FIRST: "See See Rider" - Ma Rainey > Janis Joplin > Mitch Ryder


Bill Monroe > Elvis Presley > The Marcels

"Mystery Train" - Carter Family > Jr. Parker > Elvis Presley > Jim Jarmusch

"Jailhouse Rock" - Elvis Presley > Dean Carter


The Real History of Rock and Soul!: A Music Player Checklist


Saturday, June 20, 2009

ROCK Sex: Herbie Hancock > Mongo Santamaria > Herbie Hancock



ROCK Sex is all about scratching each other's back; 'you do me, I'll do you'.

Previously I gave examples of how one song can take on new life under different artists, and also how an artist inspires another artist who re-inspires the first artist. Well, today is an example of both.

_______________

Herbie Hanckock was a jolt of new life on the Jazz scene in the early '60s, and he scored an immediate hit from his 1962 debut album penning this hip-swaying classic:

HERBIE HANCOCK -"Watermelon Man" (1962)



Afro-Cuban percussionist MONGO SANTAMARIA was quick to pick up on the Latin Jazz tinge and expand it fully on his classic cover hit. It soon became a standard with great versions by Quincy Jones, Manfred Mann, Maynard Ferguson, and The J.B.'s to follow.

MONGO SANTAMARIA -"Watermelon Man" (1962)



Big Mama Thornton, famed for the original "Hound Dog", made this Blues stride out of it, complete with funny monologue:

BIG MAMA THORNTON -"Watermelon Man" (1970)



Herbie re-invented himself in the early '70s as an afro-futurist, blending tribal instruments with space-age electronics. In similar phoenix fashion he reforged his own classic:

HERBIE HANCOCK & THE HEADHUNTERS -"Watermelon Man" (1973)



You got my back, I got yours.


© Tym Stevens



See Also:

Cool Funk Roots: PEREZ PRADO's Mambo

"Oye Como Va!" - Tito Puente > Santana > Kinky


"Rikki Don't Lose That Number" - Horace Silver > Earth Wind & Fire > Steely Dan > Stevie Wonder > Madlib

"PHYSICAL GRAFFITI" - Led Zeppelin > Branford Marsalis > Rolling Stones

"How High The Moon" - Les Paul and Mary Ford > Sarah Vaughan > Charlie Parker > Miles Davis > John Coltrane


The Real History of Rock and Soul!: The Music Player Checklist