LADIES FIRST: "Hound Dog" - Big Mama Thornton > Elvis > Jimi Hendrix

LADIES FIRST brings you another classic that 'she did first'.

Today it's the monster classic "Hound Dog".

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"Hound Dog" was written and produced by the budding talents Jerry Leiber & Mike Stoller, and first recorded by the irrepressible Big Mama Thornton. Along with her blues-belting style, Mama also retooled some of the lyrics, did flavorful ad libs, and hard accents in the phrasing that gave the song its fierce identity.

BIG MAMA THORNTON -"Hound Dog" (1952)



Thornton's version was recorded in 1952, but released in the spring of 1953. Within a month there were a handful of Country artists who did their take on it, like Jack Turner and His Granger County Gang, Billy Starr, and Cleve Jackson and His Hound Dogs.

One of the most unsung is this one by Betsy Gay:

BETSY GAY -"Hound Dog" (1953)



Here's a Country answer record forecasting Rockabilly.

CHARLES GORE And LOUIS INNES -"(You Ain't Nothin' but a Female) Hound Dog" (1953)



Memphis radio DJ Rufus Thomas did an answer record to it, taking mock affront to his nickname as 'hound dog'. It was too similar and Sun Records' first hit got in a lot of legal trouble. Later, Rufus and his daughter Carla Thomas recorded classics for Stax Records.

RUFUS THOMAS -"Bear Cat" (1953)



A burlesque group called Freddie Bell And The Bellboys did a campy, striptease-style take on it. Freddie smoothed over some of the lyrics, adding such pivotal lines as "cryin' all the time" and "You ain't never caught a rabbit, and you ain't no friend of mine." They performed it regularly in Las Vegas.

FREDDIE BELL AND THE BELLBOYS -"Hound Dog" (1956)

The young and barely-known Elvis Presley saw their show and put it in his rep for fun. When he appeared on the huge TV hit, "The Milton Berle Show", Milton urged him to leave his rhythm guitar and stand out front. The song's strippery rhythm and Elvis' startlingly sexual gyrations (and air of threatening menace) caused a storm of shocked controversy and made him a national star overnight.

This may have done as much to inject Rock'n'Roll into world awareness as any other event.

ELVIS PRESLEY -"Hound Dog" (1956)



Rock'n'Roll was written off as dumb Pop for juvie kids by the robot mainstream of the times. They probably thought it was cute to trot out little Brenda Lee like Shirley Temple in the family parlor. But it backfired, because you can still hear all the raw Blues anger and cocky swagger in Brenda's great voice.

BRENDA LEE -"Hound Dog" (1956?)



Cliff Johnson's answer song aims to make Elvis high-tail it.

CLIFF JOHNSON -"Go Away Hound Dog" (1957)



Betty Everett ("You're No Good") brings some Soul swing go it.

BETTY EVERETT -"Hound Dog" (1964)



Jimi Hendrix loved Elvis and also all the Blues greats like Big Mama Thornton, who was on the bill at many of the same Blues and Rock festivals reclaiming her song (with her cool penchant for wearing mens' clothing). Here he is jotting off genius like it was a gesture.

JIMI HENDRIX -"Hound Dog (acoustic)" (1968)



And chasing this tail 'round to its front again, here's Blues powerhouse Koko Taylor...

KOKO TAYLOR -"Hound Dog" (1993)




© Tym Stevens

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See Also:

• Revolution 1950s: The Big Damn Bang of Rock'n'Roll!

• WOMEN OF ROCK: The 1950s, with 2 Music Players!


• LADIES FIRST: "When the Levee Breaks!" - Memphis Minnie > Led Zeppelin

• LADIES FIRST: "Fujiyama Mama" - Annisteen Allen > Wanda Jackson > Pearl Harbor

• LADIES FIRST: "See See Rider" - Ma Rainey > Janis Joplin > Mitch Ryder


• Bill Monroe > Elvis Presley > The Marcels

• "Mystery Train" - Carter Family > Jr. Parker > Elvis Presley > Jim Jarmusch

• "Jailhouse Rock" - Elvis Presley > Dean Carter


• The Real History of Rock and Soul!: A Music Player Checklist

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ROCK Sex: "I'm A Woman" - Peggy Lee > Helen Reddy > Yoko Ono > Chaka Khan > Neneh Cherry

ROCK Sex knows that "woman is the other half of the sky".

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Yesterday we followed how the threadline of the statement "I'm a Man!" twines through pop music. Today we tilt through more of the human quilt with the statement "I'm a Woman!"

Jerry Leiber and Mike Stoller wrote dozens of classic Rock'n'Roll songs, including "I'm A Woman". This used the same blues vamp as Muddy Waters "Hoochie Coochie Man", which of course was the inspiration for Bo Diddley's "I'm a Man".

Here's a version from the 1995 Broadway show based on Leiber & Stoller's many hits:

SMOKEY JOE'S CAFE: "I'm A Woman"



When it was written in 1962, Peggy Lee scored the chartbuster with it, becoming a key song in her repertoire:

PEGGY LEE -"I'm a Woman" (1962)



In 1972, Helen Reddy hit #1 during the rise of Women's Liberation with this empowerment anthem, a different song with a similar name and more advanced outlook:

HELEN REDDY -"I Am Woman" (1972)



Bar none, Yoko Ono was the strongest Feminist in Rock history, one of the actual reasons she is still resented by dwindling lunkheads. In her work "the personal was political" and she took the full brunt of dumb hate while opening the door for The Slits, The Au Pairs, The Poison Girls, Lydia Lunch, Kim Gordan, Bikini Kill, The Gits, Tribe 8, MeShell Ndegeocello, Le Tigre, and Pussy Riot after her:

YOKO ONO -"Woman Power" (1973)


(The Soul Power choruses anticipate the same move in the 1976 "Wonder Woman" theme.)

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As a parallel track to that, there's John Lennon. As a young man he wrote the song "Girl", a catchy ode with a young man's attitude. Here's another take on that:

NIKKI CHORE -"Girl" (2007)


Later, as his politics became more sophisticated, he joined his wife Yoko in the humanist struggle for empowerment, and made a "grown-up" response to his earlier song:

JOHN LENNON -"Woman" (1980)



Here's Neneh Cherry with a different song of the same name that has very Lennon-esque use of ballad pace and chamber strings:

NENEH CHERRY -"Woman" (1996)

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If Peggy and Helen sung as one strong person that many women identified with, then Chaka Khan decided to be completely universal in this classic:

CHAKA KHAN- "I'm Every Woman" (1978)



Broadening the concept even deeper are artists beyond gender parameters.

WAYNE COUNTY AND THE ELECTRIC CHAIRS- "Man Enough To Be A Woman" (1978)


DAME EDNA & kd lang - "I'm Every Woman" (2008)




© Tym Stevens

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See Also:

• "I'm A Man" - Bo Diddley > Muddy Waters > Spencer Davis > Chicago > Devo

• "Walk On the Wild Side" - Genderblenders/ Enders/ Transcenders!


• The Struggle For the Moral Soul: MARTIN LUTHER KING and Civil Rights

• REVOLUTION! - A 'Fight The Power' Music Player


• 'Why We Love YOKO ONO (Or Should)!', with 2 Music Players!

• The Real History of Rock and Soul!: The Music Player Checklist

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