Tuesday, December 31, 2019

HAPPY NEW YEAR! with New Years Songs music player


Quality is timeless.

Make a better future.

Count your blessings.



HAPPY NEW YEAR!:
Rock'n'Soul Playlist,
by Tym Stevens
This is a Spotify player. Join up for free here.

A history of NEW YEARS songs from the 1950s to today, in chronological order.

Rockabilly! Jazz! Blues!
Soundtracks! Soul! Country!
Garage! Psychedelic! Funk!
Glam! Reggae! Punk!
New Wave! HipHop! Electro!

and more!


© Tym Stevens



See Also:

HALLOWEEN!: A Rock'n'Soul Music Player

DIA DE LOS MUERTOS: A Rock Music Player

THANKSGIVING!: A Rock'n'Soul Music Player

HAPPY HOLIDAYS! A Rock'n'Soul Music Player

BEATLESQUE: Christmas


The Real History of ROCK AND SOUL!: The Music Player Checklist



Friday, August 16, 2019

BEATLESQUE Songs: 1963-esque

...with Massive
Music Player!



BEATLESQUE SONGS

#1 of 9


Covers, Clones, + Cousins!

Hear every 1963 BEATLES song
matched to its covers, clones, + cousins,
all in chronological order.

The most comprehensive matching of Beatles songs to the songs they inspired ever made.

Explore a vast Multiverse of 'new Beatles music'!

Shortcut links:
1) MUSIC PLAYER
2) The Influences


_______


Hear the whole BEATLESQUE Songs series:
1963-esque
1964-esque
1965-esque
1966-esque
1967-esque
1968-esque
1969-esque
1970-esque
'REUNION' 1970-Now

BEATLESQUE: Christmas








1) BEATLESQUE Songs:

1963-esque



PLEASE PLEASE ME LP Cover homages:
The Rutles; Blur; Shampoo; Sex Pistols.



WITH THE BEATLES LP Cover homages:
Everly Bros.; Blondie; Pretenders; Utopia.


Music Player:

1963-esque



Spotify playlist title=
BEATLESQUE Songs: 1963-esque
This is a Spotify player. Join up for free here.
(This Player is limited to the first 200 songs.
Hear the unlimited Playlist here.)

Over 600 songs and 25 hours worth
of alternative Beatles sounds!

Featuring:
Rolling Stones! The Supremes! The Byrds!
Los Shakers! The Hollies! Los Brincos!
Guess Who! Czerwone Gitary! Badfinger!
Flamin' Groovies! Ramones! The Rutles!
Elvis Costello! The Jam! Pretenders!
The Go-Go's! Robyn Hitchcock! Lyres!
The Pandoras! The Smithereens! Pixies!
Nirvana! The Muffs! Sloan!
Apples In Stereo! The Coral! Spoon!
Dressy Bessy! Kasabian! Best Coast!

And many, many more!



HOW IT WORKS:

The BEATLES song plays first (shown here in red).

Example

It is followed by Clones and Cousins, often bracketed at the beginning and end by Cover versions. Then the next Beatles song repeats the cycle.

A Clone is a song directly imitating the song. A Cousin is within the same sonic spirit as the original.

The Beatles' songs are in order of their release; the matching songs are listed sequentially in the order of their own release, i.e., 1963, 1964, 1966, 1976, 1982, etc.

(If The Beatles recorded a cover version, it is preceded by the original, shown here in yellow.)

Because The Beatles finished each year with a Christmas flexidisc for their UK Fan Club, each Music Player ends with Holiday songs done in their style.


The Playlist matches each of these songs to its children, in this order...


BEATLES Recordings: 1958-1962;
pre-album recordings

(each cover version is preceded by the original)

•• Phillips' Sound Recording Services (1958): "That'll Be the Day", "In Spite of All the Danger"
•• Home demos (1960): "Hallelujah, I Love Her So", "You'll Be Mine", "Cayenne"
•• Hamburg (1961): "My Bonnie", "Ain't She Sweet", "Cry For A Shadow", by Tony Sheridan And The Beat Brothers
•• Decca audition (1962): "Searchin'", "Three Cool Cats", "The Sheik of Araby", "Like Dreamers Do", "Hello Little Girl"
•• EMI (1962): "Besame Mucho", "How Do You Do It", "One After 909"


BEATLES Releases: 1963

"Love Me Do/ P.S. I Love You" (Oct 1962)

PLEASE PLEASE ME (Jan 1963):
"I Saw Her Standing There"
"Misery"
"Anna (Go To Him)"
"Chains"
"Boys"
"Ask Me Why"
"Please Please Me"
"Love Me Do"
"P.S. I Love You"
"Baby It's You"
"Do You Want To Know A Secret"
"A Taste Of Honey"
"There's A Place"
"Twist And Shout"

"From Me To You/ Thank You Girl"
"She Loves You/ I'll Get You"

•• Songs written for other artists: "I'll Keep You Satisfied", "Bad To Me", "I'll Be On My Way", "Love Of The Loved", "I'm In Love", "Hello Little Girl", "Tip Of My Tongue"

WITH THE BEATLES (Nov 1963):
"It Won't Be Long"
"All I've Got To Do"
"All My Loving"
"Don't Bother Me"
"Little Child"
"Till There Was You"
"Please Mister Postman"
"Roll Over Beethoven"
"Hold Me Tight"
"You Really Gotta Hold On Me"
"I Wanna Be Your Man"
"Devil In Her Heart"
"Not A Second Time"
"Money"


--- BEATLES Live Recordings: 1963 ---
(each cover version is preceded by the original)

•• January: "Keep Your Hands off My Baby", "Beautiful Dreamer"
•• March: "Misery", "I'm Talking About You"
•• June: "Young Blood", "Baby It's You", "I Got to Find My Baby", "Sure to Fall (In Love with You)", "Some Other Guy", "Thank You Girl", "I'll Be On My Way", "Boys", "Chains", "P.S. I Love You"
•• July: "That's All Right (Mama)", "Carol", "Soldier Of Love", "Clarabella", "Lend Me Your Comb", "A Taste Of Honey", "Sweet Little Sixteen", "Lonesome Tears In My Eyes", "Nothin' Shakin'", "So How Come (No One Loves Me)", "Love Me Do", "Memphis, Tennessee", "The Hippy Hippy Shake", "Matchbox", "Do You Want To Know A Secret", "Till There Was You", "Please Mr. Postman"
•• August: "I'm Gonna Sit Right Down aAd Cry (Over You)", "Crying, Waiting, Hoping", "To Know Her Is To Love Her", "The Honeymoon Song", "Kansas City / Hey-Hey-Hey-Hey!", "Twist and Shout", "I Got A Woman", "Long Tall Sally", "Please Please Me", "Words Of Love", "Glad All Over", "I Just Don't Understand", "Slow Down", "You Really Got A Hold on Me", "A Shot Of Rhythm And Blues", "Ooh! My Soul", "Don't Ever Change", "Anna (Go to Him)"
•• September: "Honey Don't", "Roll Over Beethoven", "There's A Place", "Too Much Monkey Business", "Hippy Hippy Shake", "Lucille", "Ask Me Why", "Devil In Her Heart", "Sure to Fall (In Love With You)"
•• October: "Lucille", "I'll Get You", "She Loves You", "Memphis, Tennessee", "I Saw Her Standing There" (x2)", "From Me To You"
•• December: "This Boy", "Money (That's What I Want)", "I Want To Hold Your Hand"

Christmas flexi; banter plus "Good King Wenceslas", "Rudolph the Red-Nosed Ringo"


The Playlists will follow the original British release of singles and albums in sequence.








2) BEATLESQUE Songs:

How Their Influence Never Ends




PLEASE PLEASE ME
(1963)


The PLEASE PLEASE ME album
reignited Rock'n'Roll in 1963, after the USA Idol dropouts and the varied genre splits on polished Pop radio.
It was the World returning the music as a renewed force and an act of fervid faith, abolishing the fad narrative of dismissers.
The debut album swept aside false genre divisions, declaring solidarity with Girl Groups and Soul artists and even Broadway.
The Beatles took Rock'n'Roll away from the machine, foiling the slick and processed with the raw and shaggy.
They were the all-in-four real deal: they wrote their own songs, each sang, and they turned the backing bands of the past into the modern self-contained group.
And they lit the youth fuze with focused fire on a scale no one had ever imagined possible.

Leads To:
Beat Music/Merseybeat, Freakbeat, Garage Rock, Female bands, World bands, Northern Soul, Rock'n'Soul, Pop Ballads, Power Pop, Punk, Britpop.
British Invasion, Rock Groups, Self-written songs.


----


From their songbook to their style, The Beatles created the template for all others to follow, starting with their first albums.

Artists of every slant found their starting point in these records, and have often reflected the 1963 sounds of The Beatles with direct homages. Here's a quick throughline of the patterns and the creators heard on the Playlist.

(All bold names are heard on the Music Player)


The Dave Clark Five; The Rolling Stones; The Hollies.

British Invasion
The rising tide of Beatlemania brought a second wave of Rock'n'Roll into the charts, the airwaves, the screens, and the youth.
A cascade of UK acts -wearing suits and moptops- returned the gift to the USA, including bands like The Rolling Stones, Gerry And The Pacemakers, The Dave Clark Five, The Animals, The Yardbirds, The Kinks, The Hollies, Billy J. Kramer And The Dakotas, Chad And Jeremy, The Swinging Blue Jeans, The Shadows, The Fourmost, and The Remo Four; as well as Pop singers like Dusty Springfield, Lulu, Helen Shapiro, Julie Grant, and Cilla Black.


Equipe 84; Les Bel Canto; Les Merseys.

World Beat
The Beatles inspired everyone to pick up a guitar and form a group.
Globally, mirror moptops bashed out the beat and leaped crazy on 45" sleeves, including The Rattles (Germany), The Motions (Netherlands), The Phantoms (Netherlands), Czerwone Gitary (Poland), Elipse (Yugoslavia), Kvartet 4M (Croatia), Equipe 84 (Italy), The Rebels (Iran), The Easybeats (Australia), The Rondells (Australia), Les Lutins (Canada), Les Bel Canto (Canada), Les Sultans (Canada), Les Hou-Lops (Canada), Les Merseys (Canada), Los Shakers (Uruguay), Los Mockers (Uruguay), Kano Y Los Bulldogs (Uruguay), Los Impala (Venezuela), Los Jets (Spain), Los Canarios (Spain), Los Pekenikes (Spain), Los Sirex (Spain), Los Idolos (Spain), Los Gatos Salvajes (Argentina), Arco Iris (Argentina), Los Saicos (Peru), Liverpool (Brazil), Os Vips (Brazil), and Los Monstruos (Mexico).


Goldie And The Gingerbreads;
The Debutantes; The Girls At Dawn.

Female Bands
The Beatles inspired everyone to pick up a guitar and form a group.
There were scores of all-female bands around the world, like The Liverbirds, Goldie And The Gingerbreads, The Debutantes, The Luv'd Ones, The Pleasure Seekers with Suzi Quatro, The Ace Of Cups, The Chicks, Honey Ltd., Les Beatlettes (Canada), Les Soeurs Gallant (Canada), Las Chic's (Mexico), Las Mosquitas (Argentina), Dara Puspita (Indonesia), and The Fair Sect (New Zealand).
They were mistreated, unsigned, underrecorded, and conveniently written out of history, but they were just as vital and valuable as their brothers, and became the baseline for the exponential waves of female bands that followed, including such Beat Music fans as The 'B' Girls, The Go-Go's, The Bangles, Mad Monster Party, The Aquanettas, The Pebbles (Japan), The Milkees (Japan), That's A NO NO! (Japan), THE LET'S GO's (Japan), BIGMAMA SHOCKIN' 3 (Japan), The Beat Girls (Japan), Some Girls with Juliana Hatfield, The Gore Gore Girls, The Girls At Dawn, Vivian Girls, Peach Kelli Pop, Bleached, and Habibi.
> Women Of Rock: 1960s

Idols
The Beatles had been inspired by their heroes, like Chuck Berry, Little Richard, The Crickets, The Isley Brothers, The Shirelles, Count Basie, Brenda Lee, and Del Shannon. As Beatlemania took sway, their heroes began assimilating their acolytes' innnovations into their own continuing work.


The Supremes; The Byrds; The Remains.

Peers
May you live with interesting peers.
The Beatles were blessed to be inspired by friends and rivals like The Supremes, The Byrds, The Chambers Brothers, The Guess Who (Canada), Prince Buster (Jamaica), The Golliwogs (pre-Creedence Clearwater Revival), The Bobby Fuller Four, The Remains, The Beau Brummels, and The Beach Boys.



WITH THE BEATLES
(1963)


The WITH THE BEATLES album
established British Beatlemania as a galvanizing force.
The Brill Building wrote down to youth, whereas The Beatles were youth redefining themselves.
They were the working class rising from the underground (literally, The Cavern Club) with their own style and outlook.
With a quantum leap they dramatically increased their song range and melodic chops: brisk hits, pretty ballads, and a showtune offset by surly rockers.
Its startling graphic cover channeled the Art Cool of Berlin into the mainstream, and redefined them as a new level of modern Pop.

Leads To:
Beat Music/Merseybeat, Freakbeat, Garage Rock, Female bands, World bands, Northern Soul, Rock'n'Soul, Pop Ballads, Power Pop, Pub Rock, Punk, Britpop.
Beatlemania, The Mod scene, Long hair, Art covers, British Invasion.


----


Badfinger; The Spongetones; The Red Button.

Heirs
The Beatles became a compass from which to explore possibilities, and directly led others to make fine and distinctive work of their own, such as The Monkees, Badfinger, (the uncanny post-Python parody) The Rutles, The Motors, The Toms, The Spongetones, Sekret (Russia), The Smithereens, The Posies, The Rembrandts, Sloan, The Boo Radleys, The Minders, Myracle Brah, Frank Lee Sprague, Spoon, The Coral, The Midwest Beat, The Strypes (Ireland), Jack Bartlett, and The Red Button.


The Knack; Pretenders; The Last.

Power Pop
Beatles melodicism, Who crunch.
The hallmarks of both resonate through '70s and '80s acts like Flamin' Groovies, Shoes, The Tweeds, Paul Collins' The Beat, Nikki and the Corvettes, Squire, The Rubinoos, The Poppees, The Pleasers, The Shivvers, The Heaters, The Knack, 20/20, The Last, Pretenders, The Stripes (Germany), and The Times.

Power Punk
Ramping the Garage Rock in the Beat were thrashing yobs like The 101'ers, Ramones, The Damned, Buzzcocks, The Boys, Elvis Costello And The Attractions, The Nerves, The Breakaways, The Fruit Eating Bears, The Jam, Adam And The Ants, The Rats, Goteborg Sound (Sweden), The Pop Rivets, and The Godfathers.


Les Playboys; Muck And The Mires; The Ugly Beats.

Beat Revival
Parallel to Punk, a counter-movement of revival/revisal blossomed in the mid-'80s, with Beat-repeaters like The Catholic Girls, The Rapiers, Lyres, Game Theory, Talulah Gosh, and Marshall Crenshaw.
The pulse still pounded through the '90s and 2000s with Muck and the Mires, The Most, The Weeklings, The Hi-Risers, The Beat Rats, Derrick Anderson, The Jikens (Japan), The Kaisers (Scotland), The Bristols with Fabienne Delsol (France), I Ganzi (Italy), Filhos da Judith (Brazil), The Undershakers (Spain), Kommando Beat (Germany), The Mergers (Germany), Janey And The Ravemen, The Beatophonics (Netherlands), and Acid House Kings (Sweden).

Garage Rock '80s
Meanwhile, Punk gave permission for Garage revivalists like The Scientists (Australia), Les Playboys (France), The Pandoras, The Milkshakes, and their sisters The Delmonas to jang strings.
This continues in countless 2000s acts like Caesars, Mr. Airplane Man, The Mooney Suzuki, The Come Ons, The Fondas, The Ugly Beats, The Electric Mess, The Pink Tiles (Australia), Doctor Explosion (Spain), Miss Chain And the Broken Heels (Italy), The Peawees (Italy), and The Trip Takers (Italy).

Alternative
Both Pixies and Nirvana grounded their corrosion in a strong sense of melody and memorable hooks, an underlying trait that is shared by Indie acts like The Lemonheads, Blue Skies For Black Hearts, and Best Coast.





In 1963, THE BEATLES overwrote the history of Rock'n'Soul with a new future.
And as their sounds expanded, so did all the responses across time...


_______


Hear the whole BEATLESQUE Songs series:
1963-esque
1964-esque
1965-esque
1966-esque
1967-esque
1968-esque
1969-esque
1970-esque
'REUNION' 1970-Now

BEATLESQUE: Christmas



© Research, Art, and Essay by Tym Stevens








A splendid time is guaranteed for all!






BEATLESQUE Albums: 400 Alternate Universe BEATLES Albums You Need!, with 2 massive Music Players!


LENNONesque: All-Star Homage Playlists To John Lennon's BEATLES And SOLO Styles!, with 2 Music Players

McCARTNEY-esque: All-Star Homage Playlists To His BEATLES And SOLO Styles!, with 2 Music Players



BRIAN WILSON-esque: All The Songs Imitating His BEACH BOYS Music Styles!, with 2 Music Players



BEATLESQUE Songs: 1964-esque

...with Massive
Music Player!



BEATLESQUE SONGS

#2 of 9


Covers, Clones, + Cousins!

Hear every 1964 BEATLES song
matched to its covers, clones, + cousins,
all in chronological order.

The most comprehensive matching of Beatles songs to the songs they inspired ever made.

Explore a vast Multiverse of 'new Beatles music'!

Shortcut links:
1) MUSIC PLAYER
2) The Influences


_______

Hear the whole BEATLESQUE Songs series:
1963-esque
1964-esque
1965-esque
1966-esque
1967-esque
1968-esque
1969-esque
1970-esque
'REUNION' 1970-Now

BEATLESQUE: Christmas









1) BEATLESQUE Songs:

1964-esque



A HARD DAY'S NIGHT-owls:
guests on the Player -
• The Rutles; Otis Redding; Go-Go's; Ramones
• Thee Headcoatees; The Smithereens;
The Dirtbombs; Katrina And The Waves
• The Equals; Frank Lee Sprague;
The Pebbles; The Monkees
• Rolling Stones; Shonen Knife; Gene Clark; Elastica.



BEATLES FOR SALE LP Cover homages:
Rolling Stones; Chambers Brothers;
Honey Ltd; The Kinks.


Music Player:

1964-esque



Spotify playlist title=
BEATLESQUE Songs: 1964-esque
This is a Spotify player. Join up for free here.
(This Player is limited to the first 200 songs.
Hear the unlimited Playlist here.)

Over 750 songs and 35 hours worth
of alternative Beatles sounds!

Featuring:
The Who! The Miracles! The Zombies!
Los Apson! Beach Boys! Marvin Gaye!
Raspberries! Led Zeppelin! The Cars!
The Knack! Utopia! The Romantics!
The Spongetones! The dB's! The Police!
The Bangles! Sneetches! Crowded House!
Young Fresh Fellows! Lush! Stereo Total!
Splitsville! She & Him! Young Veins!
Filhos Da Judith! New Pornographers! Baby Shakes!

And many, many more!



HOW IT WORKS:

The BEATLES song plays first (shown here in red).

Example

It is followed by Clones and Cousins, often bracketed at the beginning and end by Cover versions. Then the next Beatles song repeats the cycle.

A Clone is a song directly imitating the song. A Cousin is within the same sonic spirit as the original.

The Beatles' songs are in order of their release; the matching songs are listed sequentially in the order of their own release, i.e., 1963, 1978, 1980, 1984, 1986, etc.

(If The Beatles recorded a cover version, it is preceded by the original, followed by all the clones in their style.)

Because The Beatles finished each year with a Christmas EP for their UK Fan Club, each Music Player ends with Holiday songs done in their style.


The Playlist matches each of these songs to its children, in this order...


BEATLES Releases: 1964

"I Want To Hold Your Hand/ This Boy" (Nov 1963)

EP: "Long Tall Sally"/ "I Call Your Name"/ "Slow Down"/ "Matchbox" (June 1964)

•• Songs written for other artists: "One And One Is Two", "Nobody I Know", "World Without Love", "I Don't Want To See You Again", "From A Window", "Like Dreamers Do", "It's For You", "You Know What To Do"

"Komm, Gib Mir Deine Hand/ Sie Liebt Dich"(March 1964)

A HARD DAY'S NIGHT (July 1964):
"A Hard Day's Night"
"I Should Have Known Better"
"If I Fell"
"I'm Happy Just To Dance With You"
"And I Love Her"
"Tell Me Why"
"Can't Buy Me Love"
"Any Time At All"
"I'll Cry Instead"
"Things We Said Today"
"When I Get Home"
"You Can't Do That"
"I'll Be Back"

"I Feel Fine/ She's A Woman" (Nov 1964)

BEATLES FOR SALE (Dec 1964):
"No Reply"
"I'm A Loser"
"Baby's In Black"
"Rock And Roll Music"
"I'll Follow The Sun"
"Mr. Moonlight"
"Kansas City - Hey, Hey, Hey, Hey"
"Eight Days A Week"
"Words Of Love"
"Honey Don't"
"Every Little Thing"
"I Don't Want To Spoil The Party"
"What You're Doing"
"Everybody's Trying To Be My Baby"


--- BEATLES Live Recordings: 1964 ---
(each cover version is preceded by the original)

•• February: "Johnny B Goode"
•• March: "From Us to You" (show opener), "Can't Buy Me Love ", "Till There Was You", "I Wanna Be Your Man", "Roll Over Beethoven", "All My Loving ", "From Us to You" (show closer)
•• April: "I Got A Woman"
•• May: "I Forgot To Remember To Forget"
•• July: "A Hard Day's Night ", "Things We Said Today", "Long Tall Sally", "If I Fell", "And I Love Her", "You Can't Do That"
•• August: "Things We Said Today", "Roll Over Beethoven", "Boys", "All My Loving", "She Loves You", "Long Tall Sally", "You Can't Do That", "I Want To Hold Your Hand"
•• November: "She's A Woman", "I Feel Fine", "I'm A Loser", "Honey Don't", "I'll Follow The Sun", "I Feel Fine "
•• December: "Kansas City / Hey-Hey-Hey-Hey!", "Everybody's Trying to Be My Baby", "Rock And Roll Music"


Christmas flexi; banter with snippets of "Jingle Bells", "Oh Can You Wash Your Father's Shirt?"



The Playlists will follow the original British release of singles and albums in sequence.








2) BEATLESQUE Songs:

How Their Influence Never Ends




A HARD DAY'S NIGHT
(1964)


The A HARD DAY'S NIGHT album
captures the band defining themselves just as the frenzy of Beatlemania took the USA.
1964 became a new Year Zero for Rock'n'Roll, with Beat Music overhauling Pop into Jet Age modernity.
Elvis had launched solo rivals, but The Beatles catalyzed legions based on the new group concept, copying their every style and advance.
Where Elvis films featured canned material, The Beatles' 'movie soundtrack' was purely a self-created and mature statement.
Here, they were finding their writing voices with strong material forecasting that they were too solid to be a fad.
They were on such creative fire that they were launching others' careers with side songs, such as the haunting waltz "It's For You".
Crucially, all of this was made possible by George Martin's impeccable production and empathic support.

Leads To:
Beat Music/Merseybeat, Freakbeat, Mod, Garage Rock, Female bands, World bands, Northern Soul, Yé-yé, Rock'n'Soul, Pop Ballads, Power Pop, Pub Rock, Punk, Jangle Pop, Dream Pop, Britpop, Beat Revival.
Beatlemania, The Mod scene, Long hair, Garage bands, Art covers, British Invasion, MTV and Rock Videos.


----


Beyond time, place, or genre, musical artists have continuously made specific homages reflecting the 1964 sounds of The Beatles.

(All bold names are heard on the Music Player)


The Who; The Rolling Stones; The Zombies.

British Invasion
The Beatles' style and sound provided a template for young acts to spring from.
Their debut on the Ed Sullivan Show in February 1964 opened the floodgates for many other English imports, including The Rolling Stones, Gerry And The Pacemakers, Marianne Faithfull, The Kinks, The Hollies, The Who, The Zombies, The Searchers, The Dave Clark Five, Chad And Jeremy, Freddie And The Dreamers, The Swinging Blue Jeans, The Rockin' Berries, The Honeycombs, and The Liverpool Five.

Side Songs
The Beatles were the tsunami lifting all boats.
Like the songwriting teams of the Torch Song era, Lennon-McCartney wrote hit records for other artists, like Billy J. Kramer And The Dakotas, The Applejacks, Cilla Black, Peter And Gordon, and The Fourmost.
These are often considered 'lost Beatles songs' which get covered in their style by soundalike artists.


The Beach Boys; Buffalo Springfield;
The Merry-Go-Round.

Peers
Immediately, the band's success, style, and sounds ignited a hothouse flowers of responses that escalated the maturity and scope of modern Pop music, from Folk to Soul to Jazz to Rock, with a resulting hybridization that expanded the arts and their audiences. Luminaries that flourished include The Beach Boys, Jackie De Shannon, The Byrds with Gene Clark, The Angels, The Knickerbockers, The Remains, The Mamas And The Papas, The Rascals, Buffalo Springfield, The Merry-Go-Round with Emitt Rhodes, The Buckinghams, Neil Diamond, The Moving Sidewalks [pre-ZZ Top], and The Equals with Eddy Grant. This pollinated onward with later acts like Three Dog Night, Led Zeppelin, Yes, and T.Rex.


The Supremes; Otis Redding; Billy Preston.

Soul Seranade
When the band did cover versions from the fledgling Motown label, it opened their artists to worldwide fame.
Rock and Soul are generic terms often misused to separate, but in reality all music is just passion made to be shared by everyone. Artists who both inspired and responded back to The Beatles include Smokey Robinson And The Miracles, The Supremes, Marvin Gaye, Otis Redding, George And Teddy, Dionne Warwick, Joe Bataan, The Chambers Brothers, Sly And The Family Stone, Booker T And The MG's, The Bar-Kays, Friends Of Distincion, Al Green, and their friend from Hamburg days, organist Billy Preston.
They also inspired jams from Jamaica with responsive songs from a young Bob Marley And The Wailers, The Skatalites, Errol Dunkley, Pat Kelly, The Upsetters, and The Paragons.

Common Folk
Their love of Country Music and Folk melodies was reflected back by Folk artists like Vashti Bunyan, Judy Collins, and Mary McCaslin;
by Country artists like Waylon Jennings, Buck Owens, Roseanne Cash, and The Mavericks;
and by artists who combined Bob Dylan and The Beatles to create Folk Rock and Roots Rock, from The Byrds and Sir Douglas Quintet to Tom Petty And The Heartbreakers and The Long Ryders.


Czerwone Gitary; Los Cheyenes; Hljómar.

World Beat
Moptops shook globally in a world unified by Beat Music, with cousins like The Beau Brummels, The Del-Vetts, The Iguanas with young Iggy Pop, Les Improvistes (Canada), Les Shadols (Canada), Les Hou-Lops (Canada), Jacqueline Taieb (France), Le Fleurs De Pavot (France), Les Guitares Sèches (France), Les Missiles (France), Czerwone Gitary (Poland), Vulkan (Czech.), George And The Beatovens (Czech.), Kvartet 4M (Croatia), Bijele Strijele (Croatia), Les Baroques (Netherlands), De Maskers (Netherlands), Eddy And The Lightnings (Finland), The Hounds (Finland), Hljómar (Iceland), Mavi Isiklar (Turkey), Los Brincos (Spain), Los Mustang (Spain), Los Bravos (Spain), Los Diana (Spain), Los 5 Diablos (Spain), Los Cheyenes (Spain), Los Flecos (Spain), Els Dracs (Spain), Els Drums (Spain), Los Apson (Mexico), Liverpool (Brazil), Leno And Lilian (Brazil), Los Shakers (Uruguay), Los Protones (Peru), Los Ecos (Peru), The Outcast (Japan), The Befores (Japan), The Librettos (New Zealand), The Blue Diamonds (New Zealand/Indonesia), and The Easybeats (Australia).


The Liverbirds; The Bangles; The Pebbles.

She Rocks
The Beatles are credited with selling more guitars in the mid-'60s than anytime in history. That explosion of bands included uncounted all-female bands who have since been unfairly excluded from that history, such as The Liverbirds, The Pleasure Seekers, Germanes Ros (Spain), Die Sweetles (Germany), Sanjalice (Yogoslavia), The Debutantes, and She.
These Beat sisters set the tempo for later Beat-transistors like The Runaways, The Go-Go's, The Bangles, The Pandoras, The Delmonas, The Breeders, Shonen Knife (Japan), The Pebbles (Japan), The Milkees (Japan), The Margarettes (Japan), The Beat Girls (Japan), Thee 50's High Teens (Japan), BIGMAMA SHOCKIN' 3 (Japan), The A-Lines, Vivian Girls, BOYTOY, Baby Shakes, and The She's.



BEATLES FOR SALE
(1964)



The BEATLES FOR SALE album
gets pinned unduly with the 'exhausted' narrative, as in too much touring and too many cover versions.
But the covers here actually help foretell the coming style transitions into Folk and Soul for 1965.
Here, their new songs turn into introspective confessionals, abetted by lush harmony blends.
Young men now with partners, their songs go from Love as attraction to Love as introspection.
In between the albums, they perfected the perfect mid-'60s Guitar Riff song with "I Feel Fine".

Leads To:
Beat Music/Merseybeat, Freakbeat, Mod, Garage Rock, Female bands, World bands, Northern Soul, Yé-yé, Rock'n'Soul, Pop Ballads, Folk Rock, Power Pop, Pub Rock, Punk, Jangle Pop, Dream Pop, Britpop, Beat Revival.
Beatlemania, British Invasion, The Mod scene, Long hair, Garage bands, World Tours.


----


Idol Hands
Their heroes Little Richard, The Crickets, Link Wray, The Everly Brothers, and Del Shannon began to sound like them, and their songs were interpolated by varied legends like The Ventures, Grant Green, Chet Atkins, Ella Fitzgerald, Stanley Turrentine, Vince Guaraldi + Bola Sete, and Henry Mancini.


The Redcoats; The Monkees; The Resonars.

Heirs Apparent
Their sonic innovations gave flight to kindred spirits who brought new dimensions of their own, like The Redcoats, The Monkees, Badfinger, Jeff Lynne, Cheap Trick, The Rutles, Billy Joel, The Spongetones, Crowded House, The Smithereens, The Rembrandts, Myracle Brah, Swag, The Resonars, The Autumn Defense, The Clientele, The Draytones, Groovy Uncle, The Red Button, Pugwash, The Strypes (Ireland), Jack Bartlett, and Yorick van Norden (Netherlands).


The Raspberries; The Heaters; The Stripes.

Power Pop
Putting the punch in the hooks through the '70s were Pop powerhouses like Flamin' Groovies, The Raspberries, Oister with Dwight Twilley and Phil Seymour, Ronnie D'Addario, the Paley Brothers, The Tweeds, and Blue Ash.
Power Pop became both an alternative to and entry point for New Wave with Beathoven/ The Innocents (Australia), The Poppees, The Pleasers, The Cars, The Heaters, The Teenbeats, Heartbreak (Sweden), The Toms, The Merton Parkas, Utopia with Todd Rundgren, The Knack, Rockpile, 20/20, The Last, The Romantics, The Numbers (Australia), The Stripes with Nena (Germany), Promise, The Donkey, Y Trwynau Coch (Wales), Dirty Looks, The dB's, The Sneetches, The Little Girls, The Police, Katrina And The Waves (Canada), The Darling Buds, and The Primitives.
This current surged onward from the '90s to now with The La's, The Young Fresh Fellows, The Bristols with Fabienne DelSol, Cherry Twister, Frank Lee Sprague of the Sprague Brothers, Locksley, The Morning Benders, Splitsville, The Hi-Risers, The Young Veins, Kommando Beat (Germany), and She & Him.


The Boys; The Atlantics; The Friggs.

Garage Punx
Their feiry hooks and irreverent spirit lit the fuse directly to Garage Rock avatars like Neighb'rhood Childr'n and Velvet Underground, and burned clearly in later Punks like Ramones, Buzzcocks, The Boys, The Nerves, The Atlantics, and Red Kross.
Their flame continued to singe past time through Thee Headcoatees, Melvins, The Muffs, Elastica, 60 Ft Dolls, The Friggs, The Dirtbombs, The Come Ons, Boonaraaas (Germany), Babyshambles, Miss Ludella Black, The Ugly Beats, Vicki And The Vengents, The Pink Tiles (Australia), and The Reverberations.


The Prisoners; Wednesday Week; THE LET'S GO'S!

New Beat
1964-style Beat music still oscillated across time with Blondie, The Beat with Paul Collins, The Prisoners, Sekret (Russia), Wednesday Week, and Marshall Crenshaw, and strobed in mid-'80s Psychedelic revivalists like Lyres, The Three O'Clock, and The Chesterfield Kings '80s;
Beat set off new tremors with The Kaisers (Scotland) and Los Fresones Rebeldes (Spain) '90s;
with The Singles, Nick Armstrong And The Thieves, Muck And The Mires, Vinyl Kings, Blue Skies For Black Hearts, Cola Jet Set (Spain), Serpentina (Spain), The Rabeats (France), and Les Fleur De Bach (France) '00s;
and with The Beat Rats, The Weeklings, The Belmondos (Italy), Filhos da Judith (Brazil), Derrick Anderson, THE LET'S GOS (Japan), The Connection, The Mieters (Netherlands), The Kitschenettes (France), Brilliant Colors, The Bawdies (Japan), The Mergers (Germany), The Beatophonics (Netherlands), and The Most (Sweden) '10s.

When I'm '64
The sounds of 1964 still reverberate across a panoply of artists like The Roches, Traveling Wilburys, Lush, Stereo Total (France), The New Pornographers, The Redwalls, Mando Diao, The Last Shadow Puppets, Magnetic Heads, The Shelters, Leather Girls, and Those Darlins, for those attuned to hear it.




In 1964, THE BEATLES overwrote the history of Rock'n'Soul with a new future. People have been quoting the verses ever since.
And as their sounds expanded, so did all the responses across time...

_______

Hear the whole BEATLESQUE Songs series:
1963-esque
1964-esque
1965-esque
1966-esque
1967-esque
1968-esque
1969-esque
1970-esque
'REUNION' 1970-Now

BEATLESQUE: Christmas



© Research, Art, and Essay by Tym Stevens








A splendid time is guaranteed for all!






BEATLESQUE Albums: 400 Alternate Universe BEATLES Albums You Need!, with 2 massive Music Players!


LENNONesque: All-Star Homage Playlists To John Lennon's BEATLES And SOLO Styles!, with 2 Music Players

McCARTNEY-esque: All-Star Homage Playlists To His BEATLES And SOLO Styles!, with 2 Music Players



BRIAN WILSON-esque: All The Songs Imitating His BEACH BOYS Music Styles!, with 2 Music Players



BEATLESQUE Songs: 1965-esque

...with Massive
Music Player!



BEATLESQUE SONGS

#3 of 9


Covers, Clones, + Cousins!

Hear every 1965 BEATLES song
matched to its covers, clones, + cousins,
all in chronological order.

The most comprehensive matching of Beatles songs to the songs they inspired ever made.

Explore a vast Multiverse of 'new Beatles music'!

Shortcut links:
1) MUSIC PLAYER
2) The Influences


_______

Hear the whole BEATLESQUE Songs series:
1963-esque
1964-esque
1965-esque
1966-esque
1967-esque
1968-esque
1969-esque
1970-esque
'REUNION' 1970-Now

BEATLESQUE: Christmas









1) BEATLESQUE Songs:

1965-esque



HELP! LP Cover homages:
Tater Tots; Echo And The Bunnymen;
The Like; Asylum Party.



RUBBER SOUL LP Cover homages:
Bob Dylan; Jimi Hendrix; The Monkees; Love.


Music Player:

1965-esque



Spotify playlist title=
BEATLESQUE Songs: 1965-esque
This is a Spotify player. Join up for free here.
(This Player is limited to the first 200 songs.
Hear the unlimited Playlist here.)

Over 875 songs and 43 hours worth
of alternative Beatles sounds!

Featuring:
Link Wray! The Turtles! Els Picapedrers!
Four Tops! The Byrds! Jefferson Airplane!
Stevie Wonder! Deep Purple! Chicago!
New York Dolls! Blondie! The Real Kids!
The Damned! YMO! Split Enz!
Squeeze! The Bangles! Replacements!
Happy Mondays! Chris von Sneidern! TCR!
Foo Fighters! Cornershop! Fastball!
Hoooverphonic! Los Flechazos! Soulive!
Sufjan Stevens! Fleet Foxes! El Goodo!
Franz Ferdinand! Mystic Braves! Shelters!

And many, many more!



HOW IT WORKS:

The BEATLES song plays first (shown here in red).

Example

It is followed by Clones and Cousins, often bracketed at the beginning and end by Cover versions. Then the next Beatles song repeats the cycle.

A Clone is a song directly imitating the song. A Cousin is within the same sonic spirit as the original.

The Beatles' songs are in order of their release; the matching songs are listed sequentially in the order of their own release, i.e., 1963, 1964, 1966, 1976, 1982, etc.

(If The Beatles recorded a cover version, it is preceded by the original, and followed by all the clones in their style.)

Because The Beatles finished each year with a Christmas flexidisc for their UK Fan Club, each Music Player ends with Holiday songs done in their style.


The Playlist matches each of these songs to its children, in this order...


BEATLES Releases: 1965

"Ticket To Ride/ Yes It Is" (April 1965)
"Bad Boy", USA EP add (June 1965)
"I'm Down", B-side (July 1965)

HELP! (July 1965):
"Help!"
"The Night Before"
"You've Got To Hide Your Love Away"
"I Need You"
"Another Girl"
"You're Going To Lose That Girl"
"Ticket To Ride"
"Act Naturally"
"It's Only Love"
"You Like Me Too Much"
"Tell Me What You See"
"I've Just Seen A Face"
"Yesterday"
"Dizzy Miss Lizzy"

"We Can Work It Out/ Day Tripper" (Dec 1965)

•• Song written for another artist: "That Means A Lot"

•• "If You've Got Trouble", "12 Bar Original" (both unreleased until 1996)

RUBBER SOUL (Dec 1965):
"Drive My Car"
"Norwegian Wood (This Bird Has Flown)"
"You Won't See Me"
"Nowhere Man"
"Think For Yourself"
"The Word"
""Michelle"
"What Goes On"
"Girl"
"I'm Looking Through You"
"In My Life"
"Wait"
"If I Needed Someone"
"Run For Your Life"


--- BEATLES Live Recordings: 1965 ---
(each cover version is preceded by the original)

•• June: "Ticket To Ride", "Dizzy Miss Lizzy"
•• August: "Yesterday", "Twist And Shout", "She’s A Woman", "Dizzy Miss Lizzy", "Ticket To Ride", "Can’t Buy Me Love", "A Hard Day’s Night", "Help!", "Everybody’s Trying To Be My Baby", "Baby’s In Black"


Christmas flexi; banter plus partial snippets of Holiday and Pop songs


The Playlists will follow the original British release of singles and albums in sequence.








2) BEATLESQUE Songs:

How Their Influence Never Ends




HELP!
(1965)


The HELP! album
makes it clear that the band is creating a new canon of modern Pop albums, getting exponentially more progressive.
The Abbey Road studio now becomes an instrument, with multi-layered tracking and more instruments.
Influenced by their new friend/foil Bob Dylan, John moves to more confessional acoustic songs.
With two songs, George starts to find his writing chops.
Rocker Ringo mellows into Country Ringo.
Paul's "Yesterday", the most covered song of all time, ushers in modern Chamber Pop.
Along the way they nail the perfect Guitar Riff songs with "Ticket To Ride" and "Day Tripper".
This was the first Rock album ever nominated for a Grammy.

Leads To:
Beat Music/Merseybeat, Freakbeat, Mod, Garage Rock, Female bands, World bands, Northern Soul, Yé-yé, Group Sounds, Beat En Espanol, Rock'n'Soul, Pop Ballads, Chamber Pop, Folk Rock, Power Pop, Pub Rock, Punk, Jangle Pop, Dream Pop, Britpop, Beat Revival.
British Invasion, Swinging London, Garage bands, World Tours, Stadium shows, Music Videos, Rock hybrids.


----


Beyond time, place, or genre, musical artists have continuously made specific homages reflecting the 1965 sounds of The Beatles.

(All bold names are heard on the Music Player)


The Rolling Stones; The Kinks; The Equals.

British Involution
As The Beatles went past phenomenon to zeitgeist, they graduated from 'teen idols' to a career path.
Finding their feet behind them were The Rolling Stones, Gerry And The Pacemakers, The Kinks, The Hollies, The Who, Herman's Hermits, The Swinging Blue Jeans, The Honeycombs, The Moody Blues, and The Equals with Eddy Grant.


The Beach Boys; The Mamas And The Papas;
The Free Design.

From My Friends
They inspired and were inspired by their peers and rivals, pushing each other forward with new looks and outlooks.
Purveyors of the new Beat-driven sunshine pop included The Beach Boys, The Vejtables, Francoise Hardy (France), Paul Revere And The Raiders, The Turtles, The Mamas And The Papas, The Lovin' Spoonful, The Knickerbockers, and The Left Banke, followed later by expansive acts like Jefferson Airplane, The Bonzo Dog Band, and The Free Design.

Idolatry
Espying their flag waving and transcribing the signals were mentors like Link Wray, The Everly Brothers, Miriam Makeba (South Africa), Lee Morgan, Joe Pass, Charlie Byrd, Asha Bhostle (India), and Henry Mancini.


Els Picapedrers; Los Salvajes; Los Zooms.

World Beat
The message of The Beatles was perceived aound the world.
Signaling global semaphores were The Del-Vetts, Les Playboys (France), Les Anges (France), Los Brincos (Spain), Los Pepes (Spain), Los Watts (Spain), Los Zooms (Spain), Los Soberanos (Spain), Los Salvajes (Spain), Els Picapedrers (Spain), Los Continentales (Spain), Liverpool (Brazil), Os Vips (Brazil), Kano Y Los Bulldogs (Uruguay), Miguel Y El Comité (Uruguay), Los Gatos (Argentina), La Barra De Chocolate (Argentina), Los Saicos (Peru), Les Baroques (Netherlands), Czerwone Gitary (Poland), Olympic (Czech.), The Beatmen (Czech.), Hungária (Hungary), Zé-Gé (Hungary), Zsuzsa Koncz (Hungary), Grupo 220 (Croatia), Les Lutins (Canada), Les Excentriques (Canada), Les Différents (Canada), Les Sultans (Canada), Les Merseys (Canada), Wells Fargo (Zimbabwe), The Spiders (Japan), The Siglap 5 (Indonesia), The Chosen Few (Australia), and The Easybeats (Australia).


Dara Puspita; The Feminine Complex; The Luv'd Ones;
The Pebbles; Thee Cherylinas; The Like.

She's Got The Beat!
She didn't just follow the band, she was the band.
All-female combos getting little help from a sexist industry in the mid-'60s included Beat Music rockers like The Luv'd Ones, The Belles, The Daisy Chain, The Feminine Complex, Dara Puspita (Indonesia), Females (Indonesia), and Las Chic's (Mexico) '60s.
Support arrived across time with Noh Mercy, The Go-Go's, The Bangles, Les Calamités (France), The Delmonas, and Mad Monster Party '80s;
with Thee Headcoatees, The Muffs, The Pebbles (Japan), Thee Cherylinas (Germany), and The Donnas '90s;
and The Milkees (Japan), The Like, TCR, Sit n' Spin, Peach Kelli Pop, and La Sera '10s.


Nick Lowe; The Romantics;
Katrina And The Waves.

Pop Power
Three minutes with a hook.
With all the style expansions in Rock that eventually followed in their wake, the primal need for 3-minute melodic pop songs with punch still twined like a spine through the decades:
The Raspberries, Dwight Twilley, Blue Ash, Ronnie D'Addario, ABBA, Sneakers, Nick Lowe, The Records, The Pleasers, The Poppees, and The Knack '70s;
Utopia with Todd Rundgren, The Shivvers, Pretenders, The Romantics, The dB's, Marshall Crenshaw, Katrina And The Waves, and The Smithereens '80s;
The Young Fresh Fellows, The Posies, Matthew Sweet, and Velvet Crush '90s;
Splitsville, The Minders, Fastball, and Sufjan Stevens '00s;
Derrick Anderson, Best Coast, The Young Veins, and Telekinesis '10s.


The Monkees; Squeeze; Chris von Sneidern.

Put The BE In Beatles
Many acts tried on the boots and found their own stride.
Their reflection led to a refraction of new possibilities through artists like The Redcoats, The Monkees, The Clefs Of Lavender Hill, and The Merry-Go-Round with Emitt Rhodes '60s;
Harry Nilsson, The Move with Roy Wood and Jeff Lynne, Badfinger, The Rutles, Squeeze, and The Toms '70s;
The Spongetones and Crowded House '80s;
The Rembrandts, Chris von Sneidern, The Boo Radleys, Myracle Brah, and Cotton Mather '90s;
The Resonars, The Clientele, The Lovetones, Swag, The Coral, Three Hour Tour, Broken Vinyl Club, and The Red Button '00s;
The Midwest Beat, The Vals, The Draytones, Quilt, The Strypes (Ireland), The Cherry Bomb Peppers (Spain), The Clean, Jack Bartlett, Cut Worms, and El Goodo '10s.



RUBBER SOUL
(1965)


The RUBBER SOUL album
is when the Abbey Road studio changed from pitstop to playground, and the band could relax from touring to explore.
If '50s Rock LPs were always hits and filler, this record redefined Albums as a unified statement of quality songs by vital artists.
The fluid nexus of Beatles/Dylan/Byrds created the Folk Rock movement.
For all the storied Country influence, the album is alive with jaunty Soul influence from Stax and Motown faves, hence the title pun.
Their new relaxation herb led them into Psychedelia and the tonalities of World musics.
Their contemplative and organic songs hearken the synthesis of Pop and Singer Songwriter.

Leads To:
Freakbeat, Mod, Garage Rock, Female bands, World bands, Northern Soul, Yé-yé, Group Sounds, Beat En Espanol, Rock'n'Soul, Pop Ballads, Chamber Pop, Sunshine Pop, Folk Rock, Country Rock, World Music, Sitar Rock, Psychedelic, Psychedelic Soul, Power Pop, Pub Rock, Punk, New Pop, Jangle Pop, Paisley Underground, Dream Pop, Britpop, Beat Revival, Neo-Psyche.
Swinging London, Garage bands, World Tours, Studio As Instrument, Art Albums, Music Videos, Rock hybrids, The Counterculture.


----


Four Tops; Smokey Robinson And The Miracles;
Soulive.

Rubber Soul
Upbeat was the sound of a new world, and all fingers were snapping.
Bouncing back some soul tread were Marvin Gaye, Stevie Wonder, Smokey Robinson And The Miracles, Four Tops, The Chambers Brothers, Otis Redding, Booker T And The MG's, The Bar-Kays, Bettye LaVette, David Porter, and Nolan Porter; and later artists like Black Heat, The Sylvers, PM Dawn, Soulive, and The Budos Band.
Jamaica redubbed The Beatles' groove in songs by Willie Lindo, Clarendonians, Ernest Ranglin, and Scientist.


The Byrds; Bob Dylan; The Long Ryders.

Are You Ready For The Country?
1965 saw The Beatles moving into Folk Rock.
Reacting naturally were Country stalwarts like Johnny Cash, Waylon Jennings, and Anne Murray;
building bridges from Folk to Rock were Bob Dylan, The Byrds with Gene Clark, Buffalo Springfield with Stephen Stills and Neil Young, Neil Diamond, and fluid troubadour Donovan;
broadening the hilly horizon were similar offspring like Gilbert O'Sullivan, Tom Petty, The Long Ryders, Suzanne Vega, 10,000 Maniacs,The Jayhawks, Shack, Sam Phillips, The Wallflowers with Jakob Dylan, Ben Kweller, and the folke chorals of Fleet Foxes.


The Real Kids; Ultravox; Mr. Airplane Man.

Drive My Car
From inspiring legions of teens bashing in their garages to the surly buzz of Garage Rock, they kicked open the club sidedoor for rude louts across time.
Rowdy guests on the Playlist include Velvet Underground, The Damned, Buzzcocks, The Real Kids, Ultravox, Sham 69, The Prisoners, Dagen D (Sweden), Shockabilly, The Fastbacks, The Replacements, The Flatmates, The Delmonas, Jesus And Mary Chain, The Muffs, Black Rebel Motorcycle Club, The Von Bondies, The Go, Mr. Airplane Man, Los Flechazos (Germany), Sorrows, The Gore Gore Girls, The Gurus (Spain), Miss Ludella Black, The Ugly Beats, The Love Me Nots, Nicki And The Vengents, The Shake, The Limiñanas (France), Doctor Explosion (Spain), and Suzi Chunk of Groovy Uncle.


The Plimsouls; The Three O'Clock;
Thee Headcoatees.

This Bird Has Flown
The highs were clearly kicking in on the wavery cover of RUBBER SOUL, and initial Psyche bands like Love, Traffic, The Peanut Butter Conspiracy, The Joint Effort, and The Yankee Dollar followed their bliss.
Psyche evangelists continued to relay the joint spirit from the '80s to now through wavebenders like The Jam, The Stray Trolleys with Martin Newell, The Plimsouls, The Rain Parade, The Three O'Clock, The Bangles, The Revolving Paint Dream, Robyn Hitchcock And The Egyptians, The Dentists (Australia), Game Theory, White Flag, The Darling Buds, Ocean Colour Scene, The Brian Jonestown Massacre, of Montreal, The Apples In Stereo, Serpentina (Spain), Frankie Rose And The Outs, Banda de Turistas (Argentina), Aunt Nelly, Mystic Braves, The Psycrons (Japan), Sitcom Neighbor, and White Denim.

New Waves
Do you really have to hide your love away?
As the press milked the conflict narrative using Punk's mantra of generational overthrow, in reality that next wave of youth of course reflected and expanded on their parents.
1965 sounds resonate clearly in Roxy Music, Blondie, The Cars, Elvis Costello, Devo, The Vapors, The Vertebrats, Small World, Telegrama (Spain), The Photos, The Flashcubes, Split Enz, Yellow Magic Orchestra, The Stripes with Nena (Germany), Holly And The Italians, The Police, The Boomtown Rats, Echo And the Bunnymen, Love Tractor, and R.E.M..


Flamin' Groovies; The Beat; Filhos da Judith.

And The Beat Goes On
Beat Beat repeat.
The jangling guitars and crack melodies of Beat Music became a timeless torch kept ablaze by Flamin' Groovies and The Beat with Paul Collins '70s;
The Rapiers, Sekret (Russia), and The Thanes '80s;
The Rooks, The Greenberry Woods, Cast, and The Bristols with Fabienne DelSol '90s;
Frank Lee Sprague of The Sprague Brothers, Dressy Bessy, The Connection, Muck and the Mires, The Singles, Slumber Party, The Grip Weeds, Kaiser George And The Hi-Risers, The Neatbeats (Japan), and The Belmondos (Italy) '00s;
and Filhos da Judith (Brazil), The Jikens (Japan), Cola Jet Set (Spain), Noonday Underground, Palmyra Delran, The Beat Rats, The Woggles, The Weeklings, The Moons, The Mergers (Germany), Peter Berry And The Shake Set (Norway), The Jerry Hormone Ego Trip (Netherlands), The Most (Sweden), and French Boutik (France) '10s.

The Word is LOVE
The Beatles are the prism that projects all facets of Rock.
This period's sonic innovations also infused great songs across the years by a boundless array of artists like Jimi Hendrix, The Doors, Deep Purple, Chicago, Piero Umiliani, New York Dolls, Heart, Aerosmith, Linda Ronstadt, NRBQ, Steely Dan, Adrian Belew, The Bats (New Zealand), Happy Mondays, Type O Negative, Traveling Wilburys, Lush, The Pearlfishers, Paul Westerberg, Jeffrey Gaines, Foo Fighters, The Fiery Furnaces, The Shelters, The London Souls, Black Grape, The Bye Bye Blackbirds, Cornershop, Franz Ferdinand, and Linus Of Hollywood.




In 1965, THE BEATLES rearranged what was possible in Rock Music.
And as their sounds expanded, so did all the responses across time...


_______

Hear the whole BEATLESQUE Songs series:
1963-esque
1964-esque
1965-esque
1966-esque
1967-esque
1968-esque
1969-esque
1970-esque
'REUNION' 1970-Now

BEATLESQUE: Christmas




© Research, Art, and Essay by Tym Stevens








A splendid time is guaranteed for all!






BEATLESQUE Albums: 400 Alternate Universe BEATLES Albums You Need!, with 2 massive Music Players!


LENNONesque: All-Star Homage Playlists To John Lennon's BEATLES And SOLO Styles!, with 2 Music Players

McCARTNEY-esque: All-Star Homage Playlists To His BEATLES And SOLO Styles!, with 2 Music Players



BRIAN WILSON-esque: All The Songs Imitating His BEACH BOYS Music Styles!, with 2 Music Players